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Correspondence, manuscripts, and printed materials of Curtis Hidden Page. This collection contains a correspondence of 51 letters between Page and his grandmother, Mrs. Mary E. Hidden, as well as other family correspondence. Much of his incoming correspondence relates to social and academic pursuits, and his publishing activities, including letters from William Stome Booth of Houghton Mifflin concerning Page's anthology entitled "Chief American Poets." There are many holograph and typescripts of his poetry and poetical translations. Most of the poems are in several stages of progress. Present also are notebooks containing lecture notes from his student days.

The main body of this collection contains letters from Carpenter to Robert W. Herrick (1868-1938), a student of his at Harvard from 1888 to 1890, and later a colleague on the Massachusetts Institute of Technology faculty, 1890-1893. At this time Herrick went to teach at the University of Chicago and Carpenter came to Columbia. Much of this correspondence is concerned with helping his friend Herrick break into the professional writers' world. Items of personal interest are also discussed in these letters to a long-time friend. Three early letters, 1886-1888, are written to his mother from Paris and Berlin where he spent the two years of the Rogers Fellowship upon his graduation from Harvard in 1886. More descriptive than personal, they tell his impressions of these countries and news items of the day. In addition there is an 11-page manuscript by Carpenter entitled "My Impressions of France" written ca. 1888. There is also a scrapbook of clippings from newspapers and magazines of writings by Carpenter from 1892 to 1905. Included are book reviews, literary writings and some items relating to Columbia University.

Correspondence, manuscripts, journals, documents, subject files, photographs, memorabilia, and printed matter. The collection includes Pillionnel's routine correspondence, manuscripts in French and English of his poems, plays and prose works, many of which are unpublished, and his "Journal Intime" which covers the period 1932-1972. Included is an oil portrait of Pillionnel by his friend Peter Hayward. One document folder contains Pillionnel family records (birth certificates, baptismal records, passports) from the late eighteenth and nineteenth centuries