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This collection includes a very small number of personal papers from Ware; photographs of students, faculty, and school buildings, 1880s-1920s; memorials and testimonials to Ware; and miscellaneous clippings (including clippings of articles about Marcia Mead, first woman graduate of the School of Architecture), invitations (including two invitations to the first commencement of the University of the City of New York, 1834), greeting cards and announcements.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

The collection consists of 10 student drawings completed by Lydia Patterson while attending Columbia University's School of Architecture. The majority of the drawings are gouache and watercolor with graphite and ink on paper, dated circa 1928 to 1930. The titles and dimensions are as follows: "An Athletic Club" (57 1/2 x 38 1/2 in.)"French Gothic Window" (37 x 58 in.)"A Government Military School" (41 x 33 1/2 in)"Horticultural Society" "A Group of Small Houses" (28 x 39 in.)"A Seaside Lounge Room" (28 x 37 in.)"Private Library #1" (26 1/2 x 36 1/2 in.)"Private Library #2" (26 x 36 in.)"Monumental Observation Tower" (23 1/2 x 36 1/2 in)"Separate Floor Plan for Observation Tower (#9)" (27 x 18 in).

Papers consist primarily of Smith's files relating to his architectural work containing correspondence with clients, colleagues, contractors, suppliers, and others, with related bills, notes, receipts, accounts, estimates, specifications, time sheets, progress reports, and architectural drawings. Also, portrait photographs of young people (possibly classmates?) in Rochester, N.Y. and Evanston, Ill., circa late 19th century; a class roll card, 1901, for a class taught by Smith at the General Society of Mechanics and Tradesmen, New York; a memo book, undated, containing miscellaneous accounts, sketches, memoranda; correspondence, 1890s, between Ella Smith (Smith's mother) and Lucien Smith and other family members, Rochester, N.Y., and Elmhurst, Ill.; account book, 1891-1902, of Mrs. H. V. (Ella) Smith, Rochester, N.Y.; calling cards, invitations, photographs, letters, bills, receipts, and other, miscellaneous personal documents; student drawings made by Smith when at Columbia University's School of Architecture; drawings for a proposed "academy of art and archaeology" in Rome, 1905-1906; and drawings for Malvina Hoffman's house and studio in New York City.

The collection contains three albums: [1] Morris High School (Bronx, NY) Scrapbook, 1909-1913, which contains ephemera and autographs collected by Van Der Smissen while a student at the first public school in the Bronx, NY ; [2] Album of Christmas Greeting Cards, 1920s-1930s, which contains a collection of greeting cards sent to Van Der Smissen from students and faculty of The School of Architecture, Columbia University ; [3] Autograph Book, 1936, containing an original poem and a collection of autographs compiled by CU School of Architecture students and possibly faculty and presented to Van Der Smissen on her twentieth anniversary at the school.

This collection contains correspondence, bulletins, reports, budgets, and off-prints from 1879. It contains early correspondence between the founders of the school and President Butler, and correspondence of the deans and founders of the Ware and Avery libraries. The post-1930 records consist of alumni newsletters, bulletins, and press releases.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Included are drawings--from preliminary sketches to finished renderings--done by students in the architecture program at the School of Mines at Columbia and, later, at the School of Architecture at Columbia. The bulk of these were done circa 1884-1912, during the tenures of Deans William Robert Ware (1881-1903) and A.D.F. Hamlin (1903-1912). Included in collection are student drawings by William A. Boring, Harry Allan Jacobs, Benjamin Wistar Morris, Jr., Julian Clarence Levi, Arthur Ware, Talbot Faulkner Hamlin, Leopold F. Arnaud, Perry Coke Smith, Theodor Karl Rohdenburg, and Aladar Olgyay. Also, drawings done by architecture students at the Massachusetts Institute of Technology, circa 1880s; a photograph, undated, of William Robert Ware; and one drawing, 1879, by architect Cass Gilbert.