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Correspondence, subject files, manuscripts and printed materials documenting the work of C. Martin Wilbur, George Sansom Professor Emeritus of Chinese History, Columbia University. Correspondence with non-Columbia organizations includes the Institute of Pacific Relations, Far Eastern Association, INDUSCO, Council on Foreign Relations, Asia Foundation, and American Council of Learned Societies, among others. Subject files relevant to Columbia University include items pertaining to the Department of Chinese and Japanese, later renamed the Department of East Asian Languages and Cultures, as well as teaching files, student files and research projects directed. The manuscript files contain the notes and, in some cases, printed copies of published and unpublished works and public talks. Wilbur's writings and research concentrate on the history and politics of twentieth century China, with emphasis on the Chinese Revolution, 1920-1929, Sun Yat-sen, and communism in China. There are translations of minutes for the first and second Kuomintang Congresses, copies of documents from the Kuomintang Archives, and photographs of members of the Young China Party, Sun Yat-sen and several historical events in the 1920s. Files on fund raising efforts for the Department of East Asian Languages and Cultures and the Wellington Koo Fellowship also contain relevant correspondence. Biographical information includes a curriculum vitae (ca. 1968)

The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.