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The material in this collection was originally housed in binders in Barney Rosset's New York apartment, and cover his personal and professional endeavors as a radical publisher, intellectual, and overall man of letters. It consists of writings, letters, photographs, interviews, films, catalogs, publishing files related to both Grove Press and Evergreen Review, and extensive biographical information on Rosset. The entire collection has been rehoused into archival quality boxes and folders. Each binder had been labeled, generally with some sort of topical or chronological designation. In most cases the binder labels will be retained as file titles, and the subdivisions within binders have become folders and retained, to a great extent, the titles assigned to them by the creator. In some cases the staff of the RBML altered or elaborated on existing folder titles for general clarity and ease of research. In some cases, the collection contains both original and typed (or transcribed) copies, the latter often taking the form of computer printouts that were originally held in binders marked "Master" or "Master Disk" to indicate their contents were on computer disks. These original binder titles have been kept throughout the finding aid.

Letters to Fletcher, including four letters from Richard Hughes, and twenty-five from Dorothy Leigh Sayers, mostly about the Dante editions which she bought from the Fletchers; seven letters from Samuel Beckett; and letters from the Sitwell brothers primarily concerning items purchased from the Fletchers: Osbert, 142 letters and postcards concerning books purchased, and Sacheverell, 168 letters concerning music covers, engraved writing paper, costume and ballet drawings, etc. purchased as well as books. Also, twenty-one letters and post cards from Eric Gill, who designed and printed a wedding announcement for Mr. Fletcher; and eighteen letters from Will Ransom, dealing with American and English publishers and bookdealers.

Correspondence with Warren Brown. Ussy-sur-Marne, Paris, Berlin, Tangier, London, March 27, 1969 - April 27, 1977. 32 autograph notes, 5 typed letters with autograph response, signed, 17 envelopes, 11 page typescript, mounted on folio-size wove paper, bound in blue half-morocco with corners, back with nerves (Loutrel).

The collection is centered around the writings of Tindall, including notes, correspondence, manuscripts, and typescripts of his studies of Samuel Beckett, Wallace Stevens, Dylan Thomas, James Joyce, and D.H. Lawrence.