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Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.

Correspondence, manuscripts, and books of Melville H. Cane. Among the correspondents are Van Wyck Brooks, Carl Jung, Lewis Mumford, William Saroyan, Upton Sinclair, Felix Frankfurter, Jessamyn West, and W.H.Auden. Included is a scrapbook of newspaper articles by Cane, written chiefly for the "New York Evening Post". He served as the Columbia University correspondent during 1901 and 1902, when he was studying for his degree at the School of Law

Correspondence with authors and other well-known figures, and also manuscripts of her own writings.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

A group of poetry manuscripts written during the 1960's. Also, a manuscript notebook containing at least 55 pieces including articles, talks, and book reviews, mostly with titles. These are carefully corrected first drafts and include a long essay on Graves' "White Goddess" an introduction to Edgell Rickword, and essays on J.R. Ackerley, Ruth Pitter "My Kind of Poetry", "Auden at Sixty", George Orwell, A.E. Housman, and F.R. Leavis.

The collection includes correspondence with publishers and literary figures; Yanovskii's diaries; drafts, manuscripts and typescripts of literary works by Yanovsky and others, subject files, photographs, records of interviews, and printed materials.

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

Manuscripts, galley proofs, and page proofs of W.H. Auden's COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. There are also galley proofs and page proofs.