Collections

Correspondence, manuscripts, documents, and newspapers. These include over four hundred letters to Alexander, as well as miscellaneous letters and telegrams; some of his manuscripts and notes; business records of his law firm; military documents of the western divisions of the Confederate Army; copybooks and letter books; and complete and partial newspapers and clippings from the various Southern newspapers (in particular THE SAVANNAH REPUBLICAN, the DAILY DISPATCH of Richmond, and the ADVERTISER AND REGISTER of Mobile) which carried Alexander's dispatches.

This collection includes manuscripts of poetry and of miscellaneous writings.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

Correspondence, manuscripts, photographs, art work, and printed material of and concerning Ronald Firbank. Included are nine letters from poet Alfred Douglas, seven from artist Albert Rutherston, four from Rollo Talboys, then schoolmaster at Wellington College, and forty-two letters from Firbank himself to his publisher Grant Richards and his manager George Wiggins. There are four letters from his mother, Lady Harriet, to the publisher and one letter from his father, Joseph Thomas Firbank, while serving in the House of Commons, 1897. Manuscripts include drafts and notebooks for his works: THE ARTIFICIAL PRINCESS, A DISCIPLINE FROM THE COUNTRY, THE RYTHUM, PRANCING N***, THE PRINCESS ZOUBAROFF, TRUE LOVE, and VAINGLORY. There is an inscribed photograph of Firbank from 1904; a pen-and-ink drawing by C.R.W. Nevinson used as a book illustration; and Albert Rutherston's watercolor drawing for the dust jacket of Firbank's novel, INCLINATIONS (London, 1916). There are also cataloged correspondence and manuscripts collected collected by Ifan Kyrle Fletcher for his book, RONALD FIRBANK; A MEMOIR.. (London, 1930).

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

A collection of papers of this mathematics professor, dealing mostly with math problems.

This collection contains materials either written or collected by Samuel Eilenberg, including original mathematics notes, books and article drafts and revisions, correspondence with fellow mathematicians, friends, art museums and collectors, photographs, and family, personal and legal documents spanning 1902 to 1996.