Collections

A collection of 850 booklets, leaflets, brochures and pamphlets illustrating American commercial typography from 1900 to 1940.

Correspondence, photographs, and printed material by and relating to Benjamin Disraeli. There are nine letters from Disraeli to various persons including Sir Charles Adderly, First Baron Norton; the Duke of Northumberland; and Sir Henry Edwards. The letters span the dates 1849 to 1879. Also included are two letters from Disraeli's father, Isaac D'Israeli, 1766-1848, to Stephen Weston, 1805, and Edward Moxon, 1833, and a post card from William Ewart Gladstone. A letter from William Lamb, 2nd Viscount Melbourne to Sir William Owen (1837) has been removed from an extra-illustrated edition of "The Letters of Runnymede" (London, 1836) and cataloged for the collection.

Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Correspondence, manuscripts, notecards, tabulation sheets, microfilms, photographs, and photostats. The bulk of the collection is made up of his Columbia University doctoral dissertation, THE OLD STOCK COMPANY SCHOOL OF ACTING; A STUDY OF THE BOSTON MUSEUM, and related research materials. The dissertation, published in 1945, uses the Bostom Museum Stock Company to exemplify the nature of American dramatic arts in the nineteenth century vis-a-vis professional theater organizations and their dual purpose of producing shows and training actors. The research materials appear in a variety of formats: chronological lists on notecards recording the actors that performed in particular plays; tabulation sheets that fulfill many purposes, such as recording each actor's experience, the roles the actors played, and the years that they were active with the company. Photographs include those taken of theater sets, actors in costume, and pictures of the Museum building. Photostats and microfilms are almost entirely reproductions of advertisements and flyers

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

Included are Sanger's personal diaries (1936-1967) relating to WQXR. Also included is a complete bound file of the WQXR PROGRAM GUIDE (June 1936-December 1963) containing a record of the broadcasting of classical music in New York City, the daily schedule, and essays on composers, music festivals, individual compositions and music in general by such writers as Irwin Edman, Will Durant, M. Lincoln Schuster, Edward Johnson, John Barbirolli, as well as by Sanger and his co-founder, John V. L. Hogan. The collection includes business letters, congratulatory and testimonial letters from listeners and advertisers, reports on the station's history, samples of newspaper clippings containing WQXR advertisements and program listings, market surveys of listeners, and promotional brochures prepared for prospective advertisers. There is a corrected typescript and galley proofs for Sanger's book Rebel In Radio (New York, Hasting House, 1972) and 6 volumes of documents in support of the station's application for "clear channel" status filed with the FCC. Also included are 49 photographs of the station's staff and musical personalities, 4 audiotapes of 1973 interviews with Sanger, and 4 audio cassettes celebrating WQXR's 50th Anniversary.

A collection, assembled by Dutch businessman Maurice Frankenhuis (1893-1969), consisting primarily of World War I posters, and in addition, post-war political and international pacifist movement posters, merchandise and motion picture advertisements, post-war anti-German propaganda, and war-related kindness to animals (horses) posters. Approximately half of the posters ate illustrated and half are textual; there are a few examples of handwritten, hand-lettered, or hand-painted posters. The general topics include: calls for money (war loans, subscriptions, war savings stamps, etc.), war material exhibitions, ordinances, war news (including battles such as Verdun, the French call for mobilization, victories such as the fall of Warsaw, the U.S. entry into the war, etc.), maps, propaganda, plans for the post-war world, recruiting appeals, Red Cross appeals, etc. The majority of the posters are German, for domestic consumption or for the people in the occupied parts of Belgium, France, and Russia. The nations whose posters are represented include: Australia, The Austro-Hungarian Empire, Belgium, Canada, France, Great Britain, India, Italy, the Netherlands, Romania, Russia, South Africa, and the United States. The languages used include: Arabic, Bengali, Bulgarian, Czech, Dutch, English, Estonian, Finnish, Flemish, Franch, German, Gujarati, Hindi, Hungarian, Italian, Japanese, Latvian, Lithuanian, Madrasi, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Turkish, Urdu, and Yiddish