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This is a small collection of exhibition catalogs, clippings, articles, photographs, and a few items of correspondence concerning the artist Lovis Corinth, assembled by his son, Thomas Corinth, who donated it to the Avery Library.

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.

Arthur B. Krim (1910–1994) was an entertainment lawyer and the former chairman of Orion Pictures and the United Artists Corporation. The correspondence, papers, photographs, and A/V content document the professional and personal life of Arthur Krim and his involvement with Columbia University and the Democratic National Committee, especially his relationship with President Lyndon B. Johnson (1908-1973) and First Lady Claudia Alta "Lady Bird" Johnson (1912-2007).

Correspondence, diaries, documents, manuscripts, and printed materials. The collection consists chiefly of diaries, research materials, and his writings. Among the correspondents are: Mikhail Chekhov, Olga Chekhov, Roman Gul, Vladimir Ilin, Artur Luther, Sergei Melgunov, Bishop Serafim, Fedor Stepun, Ilia Surguchev, Alexandra Tolstoy, and Vladimir Zenzinov.

A small collection of some of the more notable publications by Bélier Press. Including Bizarre Comix; John Willie's Sweet Gwendoline; R. Crumb's Carload O'Comics and Fritz the Cat.

While very little of her comic art survives, this collection allows examination of her illustration, fashion drawings, portraiture, and other art. It also includes an unfinished Sunday strip and an unfinished daily of "Dr Goodlow, Psychologist," which does not appear to have reached publication; a Tarzan panel drawn as her audition for Fiction House; and an original Nick Cardy page from "Senorita Rio" in Fight Comics #26. There are also a small number of Austrian documents, such as Lily Renee's birth certificate and high school diploma, and Nazi-era documents of her parents.

Correspondence, photographs, leaflets, pamphlets, manuals, reports and newsletters. Much of the correspondence details Marcu's efforts to persuade the American Military Government for Bavaria not to issue a weapons permit to a former Nazi who was seeking a position with the newly reconstituted police force.

The archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.