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Arthur Billings Hunt papers, 1750-1947
13 boxesMusic manuscripts, letters, and related items collected by Hunt. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music. The music manuscripts include sheet music for vocal and instrumental scores, part-books, bound orchestral scores, and miscellaneous music volumes. The collection is particularly strong in hymn scores, verses, and studies. Also, a box of material relating to Stephen Foster.
Edward H. Margetson Music Manuscripts, 1917-1962
1 linear feetManuscripts of musical scores, memorabilia and photograph. Folder 1 of the collection includes a general index (d. March 1945), photograph, awards, 5 citations, and a biographical sketch. His musical compositions (folders 2-26) are divided in three major categories: sacred and non-sacred vocal music, and musical compositions for instruments. His sacred choruses for mixed voices has been highly praised. His non-sacred vocal music seems to deal with children, nature, and poetic topics; also included are arrangements of Stephen Foster's songs for choruses. Among his musical compositions for instruments are some with Caribbean or West Indian themes
Ephrata Cloister manuscript collection, 1747-1800
2 Linear FeetPrinted books and music manuscripts of the Ephrata Cloister. Manuscripts 1-6 are printed books by Johan Conrad Beissel (1690-1768) some with manuscript musical notation. Manuscripts 7-12 are volumes of manuscript musical notation of melodies for hymn texts in various printed books. Most of this collection relates to Beissel's DAS GESÄNG DER..TURTEL-TAUBE, 1747.
Jerome Moross papers, 1924-2018
70.25 linear feetCorrespondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.