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The collection includes the original manuscript of "Surrender on Demand", Mr. Fry's account of his wartime experiences, which was later rewritten for young readers as "Assignment Rescue" (New York, Four Winds Press, 1968). Among the correspondents represented in the collection are Marc Chagall, Jacques Lipchitz, Roger Baldwin, Norman Thomas, J. Edgar Hoover, and Herman Wouk. In addition to the material relating to the Emergency Relief Committee (later known as the International Rescue Committee), the collection includes correspondence and papers concerning Fry's work as a writer on foreign affairs as well as copies of his books.

This collection includes drawings and personal letters from authors and illustrators of children's books, correspondence about her career and promotions, and letters of condolence at the time of her death.

The collection includes seven manuscripts by W. A. Dwiggins as well as correspondence between Dwiggins and Melbert B. Cary, Jr. of The Press of the Woolly Whale, regarding publication of Dwiggins' A TECHNIQUE FOR DEALING WITH ARTISTS. The manuscripts are "Prelude to Eden" (a play), 1939; A TECHNIQUE FOR DEALING WITH ARTISTS, 1941; "Typophiles Salutem Vobis Dico" 1937; Script No. 1, Made to write the score of a marionette ballet by Foster Trainer, ca. 1951?; Script No. 1"Elijah" n.d.; Script No. 2"Shapes of the 1/4 note heads" n.d.; and Script No. 3"A and B" n.d.

Photostatic copies of correspondence between Pitkin and Harry P. Breitenbach, chiefly of a personal nature. There are a few letters from Breitenbach to Pitkin, Jr., concerning the disposition of the original letters.

Correspondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Prof. Greet has presented Columbia with a collection of letters which he has received from numerous authors, including John Mason Brown, John Cheever, John Dos Passos, Marianne Moore, and 27 from H.L. Mencken. Of special interest is a notebook of letters concerning Greet's dictionary, WORLD WORDS, puiblished in 1944 by CBS as an aid in the understanding and pronunciation of new and foreign words. The notebook contains letters from Henry A. Wallace, George Marshall, Cordell Hull, J. Edgar Hoover, and more than 50 other public officials

1992-1995 Additions: 138 volumes of his diaries, 1920-1994, have been added, as well as 12 letters from W.A. Craigie concerning new entries for the Oxford English Dictionary, 1 drawing in the style of John Leech, 2 19th century drawings, the manuscript of his "Young John of Gaunt; a poem in fourteen cantos", 22 engraved American portraits, 5 maps of the American Civil and Revolutionary Wars, 3 scrapbooks, World War I to 1976, his commonplace book, 1927-1990, several of his published books, and "The Sheriff's Prisoner", an autobiographical account of his 8 months in Brixton Prison for Obscene Libel on the publication of "Guido and the Girls", along with letters and documents re. this case.