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A collection of letters, documents, manuscripts, and books collected by Dr. Michael Reynard and placed on deposit in The Rare Book and Manuscript Library.

Correspondence, manuscripts, documents, memorabilia, pictures, portraits, and printed material. Included are about 800 letters from outstanding literary figures of Mr. Conway's lifetime, manuscripts of his sermons, lectures and other writings and photostats of Conway material in Dickinson College Library. Among the cataloged correspondents are: Thomas Carlyle, S.L. Clemens, Arthur Conan Doyle, R.W. Emerson, O.W. Holmes, and Walt Whitman

Correspondence, manuscripts, and documents relating to the printing firm of John Nichols and Son, covering a period from 1713, when the original firm of William Bowyer, the Elder (1663-1737), was burned, until the death of John Gough Nichols in 1873. The correspondence concerns primarily the social and domestic affairs of John Nichols (1745-1826) and of his family from 1766 to 1812. Scattered letters from business associates and minor authors are included, among them a group of letters from John Pridden (1758-1825), author and antiquary. The correspondence of John Bowyer Nichols (1779-1863) concerns the Nichols firm from 1799 to 1855. There are also several letters of, and relating to, William Bowyer (1699-1777), the senior partner of John Nichols. The collection also contains a volume of letters of condolence written at the time of John Nichols' death. The manuscripts in the collection consist primarily of the poetry of John Nichols, much of which was published in newspapers of the late 18th century. The manuscripts of John Bowyer Nichols concern his father and family. There are also contracts, bills, receipts, accounts, pamphlets, broadsides, engravings, and a group of 277 portraits.

Correspondence, manuscripts, and documents relating to the printing firm of John Nichols and Son, covering a period from 1713, when the original firm of William Bowyer, the Elder (1663-1737), was burned, until the death of John Gough Nichols in 1873. The correspondence concerns primarily the social and domestic affairs of John Nichols (1745-1826) and of his family from 1766 to 1812. Scattered letters from business associates and minor authors are included, among them a group of letters from John Pridden (1758-1825), author and antiquary. The correspondence of John Bowyer Nichols (1779-1863) concerns the Nichols firm from 1799 to 1855. There are also several letters of, and relating to, William Bowyer (1699-1777), the senior partner of John Nichols. The collection also contains a volume of letters of condolence written at the time of John Nichols' death. The manuscripts in the collection consist primarily of the poetry of John Nichols, much of which was published in newspapers of the late 18th century. The manuscripts of John Bowyer Nichols concern his father and family. There are also contracts, bills, receipts, accounts, pamphlets, broadsides, engravings, and a group of 277 portraits.

The collection centers on Zierold's book, LITTLE CHARLEY ROSS, 1967, a re-examination of the first American kidnapping for ransom. Included are notes, research materials, illustrations, typescripts, proofs, reviews, and correspondence. Zierold has added the drafts, manuscripts, and typescripts of several of his plays and writings about Hollywood, including THE CHILD STARS, BABY MADGE, SWINGING FROM A CHANDELIER, DEATH IN HOLLYWOOD, THREE WOMEN IN BLACK, THE SEX GODDESSES, and NOT BEFORE BREAKFAST.

Architectural drawings and specifications for Codman's projects, circa 1890s-1930s, including the Martha Codman house in Washington, D.C.; alterations for Edith Wharton and her husband at their three residences, the Mount in Lenox, Mass., Land's End in Newport, R.I., and their Park Avenue home in New York City; work for the Thayer family of Boston, Mass., specifically Nathaniel Thayer's three homes in Boston, Lancaster, Mass., and Newport, R.I. ("Edgemere"), Bernard Thayer's Beacon Hill houyse in Boston, and Eugene Van Rensselaer Thayer's two houses in Boston and Lancaster, Mass.; the Lucy Dahlgren house in New York City; the Archer M. Huntington house on Fifth Avenue in New York City; interior design for John D. Rockefeller in his house "Kykuit" at Pocantico Hills, N.Y.; interior design work for the Vanderbilt family including Cornelius Vanderbilt's "Breakers" at Newport, R.I. and Frederick William Vanderbilt's mansion in Hyde Park, N.Y. and his house on Fifth Avenue in New York City; Oliver Ames' mansion at Pride's Crossing, Beverly, Mass., and his house in Boston; and interior decoration and alterations for Codman's own homes in Newport, R.I. and Roslyn, N.Y. and his villa in France, "La Leopolda", at Villefranche-sur-Mer. Also, lists, descriptions, and postcards of French chateaux, with related correspondence, circa 1900s-1930s, relating to Codman's bibliography on the chateaux of France; and miscellaneous lists of houses in England and France, correspondence, and printed material.

Letters of Oliver Wendell Holmes, Sr. from various sources. Among his correspondents are James T. Field, Howard Pyle, and Benjamin H. Ticknor. There are also two Holmes manuscripts: an epigram and six lines from one of his poems.

The office file of the magazine. There is correspondence and manuscripts from many writers among whom are: William Burroughs; Diane di Prima; Allen Ginsberg; Anselm Hollo; Walter Lowenfels; Michael McClure; Gerard Malanga, and John Wieners

The editorial and production files of Pantheon Books from 1944 through 1968. The correspondence from authors, agents, and publishers is written to Kurt and Helen Wolff, Jacques Schiffrin, André Schiffrin, and the editors of the firm. The files document the publication of works by A. Alvarez, Georges Bernanos, Hermann Broch, Jacob Burckhardt, Albert Camus, William Demby, Eugene Ionesco, Karl Jaspers, Winifred Bryher, Jacques Maritain, Isamu Noguchi, José Ortega y Gasset, Pier Paolo Pasolini, Sir Herbert Read, Ben Shahn, and others.

A series of letters from Rotha to his wife, containing personal and professional observations during his early career in England and in New York. Also, one letter from Rotha to Peter Hunt.