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Correspondence, manuscripts, and notes. This collection contains the manuscripts for most of his books and articles. There are also copies of his many book reviews and articles by other authors analyzing the impact of his interpretations of American history. The correspondents include: H.S. Commager, C. Vann Woodward, Stuart Bruchey, S.E. Morison, Clarence Ver Steeg, Alfred A. Knopf, Helen Frankenthaler, Arthur Schlesinger, Jr., and others. There are also 70 books from his library

Correspondence, memoranda, photographs, manuscripts, lists, legal and financial documents, and printed materials of Simon. The personal and business papers include correspondence with authors, inscribed photographs of authors, editorial files, files for his special art, photography, and music projects, correspondence files relating to Simon and Schuster, Inc., personal and family correspondence, documents, and photographs. Correspondents include Irving Berlin, Margaret Bourke-White, Henri Cartier-Bresson, Joseph E. Davies, Dwight D. Eisenhower, Philippe Halsman, Jerome Kern, Cole Porter, Kenneth Roberts, Arthur Schnitzler, Jerome Weidman, and Sloan Wilson.

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

Correspondence, manuscripts, notes, documents, subject files, financial records, course materials, photographs, and printed materials. Woodworth's professional correspondence is with colleagues, scholars, students, the Columbia University Psychology Department, professional organizations, the Archives of Psychology, the National Academy of Sciences, the Psychological Corporation, and publishers. His own set of psychology subject headings include both general and specific topics such as behavior, color, experimental psychology, learning, memory, perception, personality, sensation, etc. These files contain manuscripts, notes, psychological tests, test data, revisions, for his monographs and other research materials. In addition to the subject files, there is some general, personal and family correspondence; manuscripts of his articles, lectures, addresses, curricular materials, biographical files and photographs. The printed materials consist of his personal collection of reprints of psychological literature arranged according to his own subject headings; reprints by colleagues, some inscribed and signed with his annotations; and books from his library, some of which contain his markings and comments

Correspondence, documents and manuscripts from late seventeenth and eighteenth century France, especially from the French Revolution, collected by Sam Schaefler. Authors include J.B. Colbert Torcy and the Duchesse Du Lude. Many of the items from the French Revolution represent the work of the Committee of Public Safety and the Committee of General Security. French Revolutionary leaders represented in the collection include François-Antoine Boissy D'Anglas, Jean-Baptiste-Noel Bouchotte, Pierre Joseph Cambon, Lazare Carnot, Jean-Marie Collot D'Herbois, l'Abbʹe de Fauchet, Philippe-Antoine Merlin de Douai, Jean Victor Moreau. C.A. Prieur-Duvernois, and Antoine Joseph Santerre. In addition, the collection includes a letter from the Danish physicist Hans Christian Oersted to Sir John Herschel, a letter by the French poet Romain Rolland, a document of the Philadelphia Artists' Fund Society of 1846 with signatures of its officers, and an autograph letter and a photograph of Henry Wadsworth Longfellow.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Correspondence, manuscripts, reports, slides, records, film and card files, and scrapbooks. The papers reflect Lindsay's various activities and are arranged in two sequences, an alphabetical name file and an alphabetical subject file. Since many of the subjects are closely related, the division between them is not always very sharp. Among the subjects covered are: social legislation, I.L.O., National Child Labor Committee, prohibition, labor, Republican National Committee, Institute for Social Research, League of Nations, humane legislation, housing, Harmon Foundation, Educational Radio Corporation, and the Bergh Foundation. Boxes 167-169 contain the files of the Committee for Industrial Relations, 1912-1914