Edwidge Danticat Papers, 1954-2021, bulk 1980-2021
Collection context
- Abstract:
- Edwidge Danticat (1969-, BC '90) is a Haitian-American writer. Her papers document her writing process, through drafts, research materials, notes, and published works; the reception of her work, through reviews, coverage, interviews, and documentation and recordings of public appearances; and personal and professional milestones, through journals, scrapbooks, and photographs.
- Extent:
- 32.6 Linear Feet (55 document boxes; 3 cartons; 8 oversize boxes)
- Language:
- Collection is predominantly in English, with limited materials in Haitian Creole, French, and Spanish.
- Scope and content:
-
The Edwidge Danticat Papers include materials that reflect Danticat's writing process, including manuscripts and drafts of works; proofs with corrections; research notebooks and materials (including annotated published works, primary sources, and movies and other audiovisual materials); and copies of works published by her (including books–some with her annotation–as well as magazines and other periodicals featuring her work). Her papers also illustrate the critical and popular reception of her work through reviews, features, and other coverage in the popular and scholarly press, including in local newspapers and magazines; interviews with her; and lecture notes, ephemera, and recordings from her public appearances. The collection also includes a small amount of scrapbooks, photographs, journals, ephemera, and other materials which have a mix of personal and professional contents.
Materials related to Danticat's writing process are mostly concentrated in Series 1, Books by Danticat, with additional materials relevant to researching these works–such as interviews, notes for book talks and appearances, and reviews–in other series within the collection. Researchers should note that the majority of the materials in Series 2 and Series 4 are copies of published works, including books, magazines, scholarly journals, and films. Where this is the case, materials are described as a "copy of" or "copies of" print materials, and any significant annotations are also noted. Much of the material in the collection shows the signs of Danticat's retroactive review of materials as she prepared the collection for donation: items are often annotated with written notes as well as sticky notes dating from just prior to the transfer of the collection to Barnard.
Series 1, Books by Edwidge Danticat, includes drafts, scrapbooks, manuscripts, corrected proofs, published copies (some including annotations), notes, fragments, and other materials related to book-length works by Danticat. Works represented include novels, memoirs, children's books, and collections of short stories.
While this series includes the bulk of materials about book-length works by Danticat, other useful materials related to her writing practice may be found elsewhere in the collection: in Series 2 (which includes published short stories, articles, essays, and other works by Danticat); Series 3 (which includes recorded interviews of and other public appearances with Danticat speaking about her writing practice); Series 4 (which includes reviews and other coverage of works, written interviews with Danticat, and written remarks from public appearances, sometimes mentioning her works); and Series 5 (in which research notes for Danticat's writing and personal notes are often commingled in a single notebook).
This series is further arranged into 12 subseries, one for each work with significant material in the collection as well as one subseries that includes materials related to children's books by Danticat.
Series 2, Short Stories, essays, articles, and contributions by Danticat, primarily contains published copies of short works by Danticat, often within a complete copy of the publication or book in which they were published. Limited materials include Danticat's annotations. The writing includes forewords, introductions, articles, essays, short stories, and contributions to other works. Some of the magazines and journals in Subseries 4.1, Media coverage, may also contain short work by Danticat; likewise some of the items in this series may contain coverage of her work alongside work by her. For interviews with Danticat (as either interviewer or interviewee), see Subseries 4.2, Interviews.
Series 3, Audiovisual materials, contains audio and moving image materials, including radio interviews, television programs, films, audiobooks, and documentaries featuring or created by Danticat. This collection also includes Haitian films, documentaries, radio programs, and television programs collected by Edwidge Danticat. Where archivists were able to discern Danticat's role (as a creator, featured speaker, narrator, etc.), that is noted.
Series 4, Media coverage, interviews, and appearances, contains print media about Edwidge Danticat and her work, including magazine and newspaper articles, scholarly articles and theses, interviews, and materials documenting speaking engagements. This series is further arranged into three subseries.
Series 5, Personal, contains photographs of Danticat and others, journals and notepads (containing research notes and personal notes, often mixed in the same journal), yearbooks and facebooks from junior high and college, awards, gifts, and memorabilia, as well as scrapbooks created by Danticat containing letters, postcards, ephemera, and clippings.
- Biographical / historical:
-
Edwidge Danticat is a novelist, short story writer, essayist, filmmaker, actor, and educator. She was born on January 19th, 1969 in Port-au-Prince, Haiti to Rose Danticat (a textile worker born in Leogane) and André Danticat (a cab driver born in the mountains around Leogane). Rose and André met in 1962, married in 1965, and moved to the Bel-Air district of Port-au-Prince, Haiti. There, André worked as a shoe salesman and made the decision to leave for the U.S due to the constant fear of living under François "Papa Doc" Duvalier's regime (1957-1971) and the harassment he experienced at the hands of the Tonton Macoute, Duvalier's personal paramilitary. André Danticat was able to obtain a one-month tourist visa to the United States and left for New York with the intention of sending for the family later. During this time Edwidge's mother continued working at the shoe store and sewing to support the family until she was also approved for a one-month tourist visa in 1973. Edwidge lived with her aunt, uncle, and three siblings in Haiti until 1981 when she moved to the Flatbush neighborhood of Brooklyn, New York to join her parents, who had established a life in the city.
Danticat's parents wished for her to enter the field of medicine to become a nurse, but at an early age she became enamored with writing, penning some of her first stories at age nine. Danticat attended Barnard College in 1986, where she majored in French studies, graduating in 1990. In 1993, she earned her MFA in creative writing from Brown University. 1994 saw the publication of her debut novel Breath, Eyes, Memory, which eventually became a 1998 selection of the Oprah Winfrey book club.
As a Caribbean woman, Danticat's writing engages subjects such as gender, exile, the immigrant experience in the U.S., and cultural identity. Her other major works include Krik? Krak!; Brother, I'm Dying; Claire of the Sea Light; and Everything Inside.
In addition to her writing, Danticat's work in film includes collaborations with filmmaker Jonathan Demme, including a credit as an associate producer on the documentary The Agronomist, a profile on radio journalist and human rights activist Jean Dominique. Danticat has been a vocal advocate for Haitian immigrants and has worked to raise awareness of the political and social issues affecting Haiti. She has also been active in humanitarian efforts to support the country, particularly in the aftermath of the 2010 earthquake.
Danticat's work has been widely recognized, and she has received numerous awards and honors, including a MacArthur Fellowship, a National Book Award nomination, and the Langston Hughes Medal. She has also been inducted into the American Academy of Arts and Sciences.
Today, Danticat continues to write and speak out on issues related to Haiti and the Haitian diaspora. She is regarded as one of the most important voices in contemporary Haitian literature.
Access and use
- Restrictions:
-
This collection has no restrictions.
- Terms of access:
-
Edwidge Danticat retains all copyrights for materials in the collection that were controlled by her prior to donating the collection to the Barnard Archives. Inquiries regarding reproduction of materials beyond what is allowed by fair use exemptions to copyright may be directed to the staff of the Barnard Archives (archives@barnard.edu), who will share them with Danticat's literary agent. Additionally, no portion (even a small excerpt otherwise covered under fair use exemptions to copyright) of the personal letters, journals, or diaries in this collection may be disseminated or distributed online while Danticat is alive without her express permission.
Rights controlled by third parties (for example publishers, magazines, and people writing letters to Danticat) are retained by those third parties, and researchers must seek permission from these third parties in order to reproduce these materials beyond what is allowed by fair use exemptions to copyright.
Reproductions can be made for research purposes.
- Preferred citation:
-
Edwidge Danticat papers, 1954-2021, Box and Folder; Barnard Archives and Special Collections, Barnard Library, Barnard College.
- Location of this collection:
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Milstein Center for Teaching and Learning 423Barnard College3009 BroadwayNew York, NY 10027, USA
- Before you visit:
- Please contact archives@barnard.edu with research requests or to schedule a visit; see our website for more information.
- Contact:
- archives@barnard.edu