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Correspondence, miscellaneous notes, manuscripts and documents, memorabilia, photographs, clippings, and printed material. The chief correspondents are Nicholas Murray Butler, Charles George Proffitt, and Herbert S. Renton. The collection relates to the theater, to the ANNALS and to Odell's other work, SHAKESPEARE FROM BETTERTON TO IRVING.

Jaroslav Šváb's collection of his book design and illustration work, a working archive which he assembled throughout his career, containing the bulk of his life's work. The material was largely drawn upon for the illustrated monographJaroslav Šváb, published in 1966, at the time of his first large retrospective exhibition in Prague. Spanning the period 1928 until the late 1960s, the archive contains approximately (650) items, including printing samples and specimens, test printings, alternate variations, publisher's ephemera, and original renderings

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Papers on banking and finance, especially relating to the Federal Reserve Bank of New York.

Manuscripts, correspondence, photographs, documents, printed materials, books, and other papers of Ira V. and Edita Morris from 1892 to 1988. The couple's literary careers are documented by typescripts, notes, book reviews, and published versions of their work. Some of these materials are written in French, German, Swedish, Japanese, and other foreign languages. Included are subject files, financial records, and materials related to the Hiroshima House for atomic bombing victims and the couple's political activities. In addition, there is correspondence, documents, and photographs related to Edwin Seaver and his family.

This collection of contracts, patent assignments, other legal documents, and correspondence of Edison and others, deals with the development of the telegraph and the expansion of the telegraph network. There are 31 cataloged legal documents concerning his telegraphic patents, his company (Pope, Edison & Company), and its purchase by The Gold and Stock Telegraph Company in 1870. Other contracts concern the early work of Samuel F.B. Morse and other inventors, and later telegraph companies.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.

Included are correspondence, minutes of Board of Directors and committees, proceedings of annual business meetings, surveys, statistical reports, financial records, photographs, and printed materials. The correspondence files dating from 1927, contain letters from university press directors regarding meetings arrangements, cooperative programs, and other matters of mutual concern. There are no correspondence files for the years 1936 to 1943.

A collection of autographs of Latin American patriots and Hispanic loyalists living in the Viceroyalty of Perú during the 19th century. The collection provides a valuable look into daily life in the viceroyalty. Documents to and from military leaders on both sides of the War for Independence describe day to day events of the war (requests for supplies, mess, prisoner and hospital lists, etc.). Among the items by patriots represented in the collection are: a decree by Simón Bolivar, dated 1825, setting up a school system that "la debe igualmente a todos..individuos."; a decree by Tomas de Heres creating the coat-of-arms of Perú, and the heraldry and wording for silver and gold coins of the new government; a list by José Medina of the survivors of the "Vendedores" squadron after the battle of Ayachucho; a letter of José de San Martín to Francisco de Paula Otero; a letter by Antonio José de Sucre to Manuel Martínez de Aparicio; and a letter by José de La Mar to Joaquín de la Pezuela. Among the loyalists represented are: José Fernando de Abascal y Souza, Fernando VII, José Antonio de Areche, Jerónimo Marrón de Lombera, José de Mendizábal e Imaz, Joaquín de la Pezuela, José Manuel Goyeneche, and Manuel Quimper. Also in the collection are two letters by Secretary of State William H. Seward, and two 16th century documents signed by the "conquistadores" Francisco Pizarro and Juan de la Torre. A second box, added in 1980, contains printed and miscellaneous materials from the 1950s.

The bulk of the collection relates to awards, honorary degrees, and other honors bestowed on I. I. Rabi during the latter half of his career. It contains correspondence, manuscript drafts, pamphlets, lectures, articles, interviews, reports, panel discussions, transcripts, books, and conference materials about Rabi's work. Includes photographs, VHS recordings, audiocassettes, scrapbooks, and press clippings related to his career. Subjects include science, atomic energy and weapons, peace, education, NATO, history, government, world affairs, and honors. Also includes awards, honorary degrees, certificates, medals, and other memorabilia. In addition, correspondence regarding his estate, the awards established in his honor, and related memorials. These were the materials that I.I. Rabi's widow, Helen Newmark Rabi, did not donate to the Library of Congress but kept as her own mementos.