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William Mason collection of autographs of musicians, 1830-1906

1 volume
Abstract Or Scope

This collection of autographed inscriptions and letters from noted 19th century musicians was assembled by Mason. The material includes the signatures of 85 composer, performers, and other musical people, most of whom were Dr. Mason's contemporaries and personal friends. There are 103 items the majority of which are bits of music in script with signatures, and a few autograph letters to Mason. Among those represented are Berlioz, Jenny Lind, Franz Liszt, MacDowell, Paderewski, Rubinstein, Saint-Saens, Samaroff, and the Schumanns.

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Gerald Christoff Music collection, 1964-2013

2.5 Linear Feet
Abstract Or Scope

70 titles of music scores (with some parts), totaling roughly 460 p.

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Lynn Garafola research files on George Antheil, 1934-2003

0.42 Linear Feet
Abstract Or Scope

Transcripts of letter by and to George Antheil, as well as photocopies of article, lists, reviews, programs, etc.

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Tibor Serly papers, 1905-1992

3.15 linear feet
Abstract Or Scope
This collection contains the personal papers, including musical scores, of the Hungarian-American composer, arranger, and theorist Tibor Serly.
1 result

Subseries 2: Business and Publicity Materials, 1925-1988

Marilyn Crispell papers, 1980-2021

7 linear feet
Abstract Or Scope

Jazz pianist Marilyn Crispell's career is documented in this collection by programs, reviews, scrapbooks, books, sounds recordings, art, and posters.

1 result

Early Compositions, 1965 Box 1

Herbert Machiz papers, 1956-1969

0.5 linear feet
Abstract Or Scope

Letters to Herbert Machiz (1923-1976), a prominent theatrical director in New York. The correspondence includes items from well-known actors and authors, such as Truman Capote, Tennessee Williams, Yukio Mishima, Julie Harris, Paul Bowles, and Gian Carlo Menotti. The collection also includes newspaper articles on Mishima collected by Machiz, and an obituary of Machiz.

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Gloria Coates papers, 1970-1986

0.5 linear feet
Abstract Or Scope
Gloria Coates is an American composer who studied at Columbia University with Jack Beeson and Otto Luening. These papers include correspondence, concert programs and business records related to her activities as director of the German-American Contemporary Music Series in Munich from 1970 through 1986.
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Harold Triggs papers, 1900-1984

1.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child

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Edward MacDowell Papers, 1876-1964

3 Linear Feet
Abstract Or Scope

Letters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.

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