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This collection contains records related to the career of Ephraim London, a prominent attorney who specialized in censorship, publishing, and entertainment law.

The collection consists of newspaper clippings, publications, correspondence, memos, meeting minutes, and promotional material related to the activities and interests of Columbia's LGBT student groups. It also contains some syllabi, reading material on homosexuality, financial statements, surveys, and a few photographs.

The Morningside Area Alliance is an organization working for community improvement on behalf of its member institutions in the Morningside Heights neighborhood in New York City. The organization was founded as Morningside Heights Inc. in 1947 through joint action of fourteen Morningside Institutions--Columbia University, St. Luke's Hospital, Cathedral Church of St. John the Divine, Teacher's College, Barnard College, Corpus Christi Church, Home for Old Men and Aged Couples, International House, Jewish Theological Seminary, Juilliard School of Music, St. Hilda's and St. Hugh's School, The Riverside Church, Union Theological Seminary, and the Women's Hospital of St. Luke's Center--with the expressed purpose of "[promoting] the improvement of Morningside Heights as an attractive, residential, educational, and cultural area." The collection includes much, if not all, of the material that was created by the organization as part of its daily business from 1947 to 1992, when the materials were accessioned into University Archives at Columbia University. This includes records of the Board of Directors and the various Committees within the Alliance; assorted publications, reports, pamphlets, and theses both acquired and created by the organization; files of the different offices within the organization; maps, plans, and photographs used and created by the Alliance for its work; and the collected materials and files created for the organization's projects in different subject areas--specifically buildings, community services and programs, public safety, schools, and the Morningside General Neighborhood Renewal Plan. The collection also includes a large quantity of material rearranged into subject files on different areas of concern within the organization.

Central Files is composed chiefly of correspondence sent and received between Columbia University administrators and other University officers, faculty, and trustees, as well as correspondence sent and received between University administrators and individuals and organizations from outside the university.

The papers consist primarily of records created or maintained during David A. Paterson's tenure as Lieutenant Governor and Governor of New York. The papers include approval and veto messages, budget materials, certificates, correspondence, litigation records, messages of necessity, photographs, press releases, proclamations, program bills, resolutions, schedules, speeches, video recordings, and visitors' logs.

Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.

The projects in this collection represent the history of a firm that lasted nearly a century. The roots of the firm can be traced back to Hermann J. Schwarzmann, a German-born architect who designed the Philadelphia Centennial of 1876. Schwarzmann soon partnered with Albert Buchman and practiced with him until 1887. Unfortunately no drawings survive from the two earliest firms. This collection begins with records from the partnership of Buchman & Deisler (circa 1888-1899), followed by a succession of partnerships until the dissolution of the firm: Buchman & Fox (1899-1917), Buchman & Kahn (1917-1930), Ely Jacques Kahn Architects (1930-1940), and Kahn & Jacobs (1940-1973). The bulk of the collection documents the firms' work from 1893 until 1950. The collection includes approximately 8,250 architectural drawings for projects located primarily in New York City that were designed or altered by Kahn & Jacobs and the various predecessor partnerships. Major projects include the Bergdorf Goodman Department Store (1927); Bloomingdale's Department Store (1903-1917); the Bonwit Teller Department Store at Fifth Avenue and 38th Street (1911); the Film Center building (1928-1932); the original New York Times Building at 42nd Street and Broadway (1915-1920); and the Squibb Building (1929-1951), all in New York City. Researchers will also find drawings for the Oppenheimer-Collins Company buildings in Brooklyn (1915-1928), New York City (1906-1930), Philadelphia (1923), and Pittsburgh (1919-1928).

Robert Allan Jacobs (1905-1993) was an American architect and designer active in the United States from the 1930s until his retirement in the early 1980s. His work consists primarily of commercial projects, including numerous skyscrapers in New York City, along with a richly varied corpus of other institutional, residential, and commercial projects--primarily centered in New York City and its surrounding suburbs but ranging as far afield as South Africa and the Dominican Republic. The son of the notable Beaux-Arts architect Harry Allan Jacobs, Robert Allan Jacobs was educated at Amherst College and the Columbia University School of Architecture. Jacobs began his career as a disciple of Le Corbusier, went on to serve as a designer and draftsman for Harrison & Fouilhoux, and then formed a partnership with Ely Jacques Kahn in 1941--thus commencing three decades of pioneering collaborative design work that would leave an indelible mark on the Manhattan skyline. Together, Kahn & Jacobs made their debut with the Municipal Asphalt Plant in 1941 and went on to design such iconic projects as 100 Park Avenue (1944), the Universal Pictures Building (1947), 1407 Broadway (1950), 425 Park Avenue (1957), the Seagram Building (in collaboration with Mies van der Rohe and Philip Johnson, 1958), the Astor Plaza Building (in collaboration with Carson & Lundin, 1961), the New York Telephone Building (1969), and One Astor Place (1970).