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Correspondence, subject files, corporate committee files, corporate reports, yearly appointment calendars, biographical materials, photographs, books from his personal library, memorabilia and works of art. Correspondence includes 3 bound slipcased volumes containing 471 letters, notes and congratulatory telegrams on the occasion of R.D. Lilley being named President of AT&T, April 1, 1972. Correspondents include David Rockefeller and Peter W. Rodino, Jr. Subject files contain Columbia University activities. Manuscript files include his student notebooks from the School of Engineering (1931) and the School of Mines (1934-1935). Corporate committee files include the New Jersey Commission on Civil Disorders, 1967-1968. Memorabilia consists of seven Columbia University related plaques, awards, citations, and varsity letters and fifteen Columbia related commemorative gifts and tokens, as well as thirty-five non-Columbia related diplomas, plaques, awards, citations and certificates and fifty-five non Columbia related trophies, commemorative gifts, and presentation pen & pencil sets. The works of art include two views of the Park Place building "Columbia College New-York" (NEW YORK MIRROR, 1828) and "Columbia College and College Green" (New York, 1830) facsimile reprint of the "Palm tree print"; a print of a drawing of "Columbia University circa 1903" from the Avery Library; two signed prints of Ernest D. Roth "Hamilton Hall" and the "School of Mines"; and a relief print of "John Jay" by Stanley Wyatt.

Personal and professional papers including correspondence, manuscripts, documents, diaries, journals, photographs, and printed materials relating to his teaching at various universities, his literary studies and writings, and his professional activities in such organizations as the Moder Language Association and P.E.N. His correspondents include contemporary authors such as Edmund Blunden, Christopher Hassall, Louis Kronenberger; scholars such as James P. Clifford, Leon Edel, and A.L. Rowse. There are also some letters collected by Halsband, including those by Mrs Piozzi, John Wilkes (1727-1797) and John Stuart, 3rd Earl of Bute (1713-1792). Among the manuscripts are notes, drafts, typescripts, and proofs of his LIFE OF LADY WORTLEY MONTAGU (Oxford, 1956) and COMPLETE LETTERS OF LADY MARY WORTLEY MONTAGU (Oxford, 1965-1967). Also, manuscripts and typescripts of Halsband's diaries, journals, lectures, articles, book reviews, and essays. The printed materials include ephemera, books, and offprints by Halsband and books by other authors inscribed to him. There is a watercolor portrait of Halsband by Stephen Andrews, London, ca. 1966.

Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.

Contents include correspondence, articles, reports, photographs, clippings, printed materials and floppy disks documenting the career of Professor Robert Pollack at Columbia University as Professor of Biology (1978-present) Dean of Columbia College (1982-1989) Director of CSSR (1999-present) and Director of University Seminars (2010-present).

Correspondence, manuscripts, notes, documents, subject files, financial records, course materials, photographs, and printed materials. Woodworth's professional correspondence is with colleagues, scholars, students, the Columbia University Psychology Department, professional organizations, the Archives of Psychology, the National Academy of Sciences, the Psychological Corporation, and publishers. His own set of psychology subject headings include both general and specific topics such as behavior, color, experimental psychology, learning, memory, perception, personality, sensation, etc. These files contain manuscripts, notes, psychological tests, test data, revisions, for his monographs and other research materials. In addition to the subject files, there is some general, personal and family correspondence; manuscripts of his articles, lectures, addresses, curricular materials, biographical files and photographs. The printed materials consist of his personal collection of reprints of psychological literature arranged according to his own subject headings; reprints by colleagues, some inscribed and signed with his annotations; and books from his library, some of which contain his markings and comments

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

Correspondence, manuscripts, photographs, art work, and printed material of and concerning Ronald Firbank. Included are nine letters from poet Alfred Douglas, seven from artist Albert Rutherston, four from Rollo Talboys, then schoolmaster at Wellington College, and forty-two letters from Firbank himself to his publisher Grant Richards and his manager George Wiggins. There are four letters from his mother, Lady Harriet, to the publisher and one letter from his father, Joseph Thomas Firbank, while serving in the House of Commons, 1897. Manuscripts include drafts and notebooks for his works: THE ARTIFICIAL PRINCESS, A DISCIPLINE FROM THE COUNTRY, THE RYTHUM, PRANCING N***, THE PRINCESS ZOUBAROFF, TRUE LOVE, and VAINGLORY. There is an inscribed photograph of Firbank from 1904; a pen-and-ink drawing by C.R.W. Nevinson used as a book illustration; and Albert Rutherston's watercolor drawing for the dust jacket of Firbank's novel, INCLINATIONS (London, 1916). There are also cataloged correspondence and manuscripts collected collected by Ifan Kyrle Fletcher for his book, RONALD FIRBANK; A MEMOIR.. (London, 1930).