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Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

Letters and manuscripts. Nearly all of the thirty eight letters are written to his agents and are concerned with the publishing of his writings. The manuscripts include the first typescript draft of his play"The Strike at Arlingford" (X825M782/W/1890) and portions of A STORY-TELLER'S HOLIDAY. Bound with "The Strike at Arlingford" are four letters written by Moore to the Marquise Clara Lanza, dated August 1889-April 1890

Manuscripts, documents, photographs and printed materials of Georgiĭ A. Teslavskiĭ. Teslavskiĭ's manuscripts include a three-volume autobiographical novel entitled "Burelom" that chiefly deals with the 1917 Revolution and the Northwestern front during the Civil War. "Vospominanii︠a︡" discusses Teslavskiĭ's education, military service during World War I and the Civil War and emigration to Argentina. Among the documents is a certificate issued to Teslavskiĭ's grandfather during the reign of Aleksandr II. There are four photographs of Teslavskiĭ, a few caricatures of Russian army officers and members of the Semenov chorus in Warsaw, 1943, and copies of "Sei︠a︡tel"́ and "Smena" periodicals published by the emigre community in Buenos Aires.

Collection includes 1 letter each from Konstantin Balḿont and Alekseĭ Remizov, and copies of letters by Ivan Bunin. Manuscripts by Grebenshchikov in the collection include "Churaevy," and "Mikula, the turbulent giant." Also included are manuscripts by Balḿont and Remizov.

The collection primarily consists of unpublished manuscripts by Shavelśkiĭ. There are also letters from Shavelśkiĭ to his daughter (Marii︠a︡ Novit︠s︡kai︠a︡), several photographs of Shavelśkiĭ, clippings and miscellaneous printed items. Shavelśkiĭ's manuscripts include his memoirs (1920) which describe church affairs in Russia, World War I, the Imperial family and the 1917 Revolution; "Nabroski s natury" (1947), a series of brief essays and stories; "Pokhod protiv Rasputina" (n.d.); "Russkai︠a︡ t︠s︡erkov ́pred revoli︠u︡t︠s︡ieĭ" (1937); and "V dobrovolćheskoĭ armii" (1943), which describes Shavelśkiĭ's service as an army chaplain. Other manuscripts include brief sketches of Shavelśkiĭ by Feodor Bokach and N.N. Glubokovskiĭ.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

38 issues published from 1999-2009; designed, printed, collated, folded and staple-bound at the Goodie office in Brooklyn, NY; most issues were printed for subscribers, with extras being printed for special events of a given subject, and later by online orders; average between 200-500 copies per issue; readers were notified of new issues by postcard in the mail at first and later by email