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Thomas's correspondence with critics and magazine editors concerning her work; and the correspondence of her literary executors with Mark Van Doren about the publication of a posthumous volume of her poetry. Manuscripts and typescripts of her poems; the typescript of the posthumous edition of her poetry, poems rejected by the editors of this book, and their notes; and her prose manuscripts, including her M.A. thesis on the literary and psychological sources of Lawrence Durrell's "The Sonnet of Hamlet;" and the typescript of her anthology of poetry for use in secondary schools.

Correspondence, memoranda, photoreproductions of manuscript excerpts by Kafka, publicity files, production records, and printed materials for the works of the Austrian author, Franz Kafka, in German and English translations, 1940-1977. These extant files were set aside by David Rome, the former president of Schocken Books, after the firm was purchased by Pantheon Books, a division of Random House, several years ago. The files consist mainly of production files for the first American editions of THE GREAT WALL OF CHINA (1946), LETTERS TO MILENA (1948), ERZAHLUNGEN UND KLEINE PROSA (1957), and FRANZ KAFKA: BRIEFE (l958). Also included is a publicity file aimed at American Jewish organizations and college and university German departments promoting SAMLICHE WERKE edited by Max Brod as well as his biography of Kafka, and a marked master galley proof for PARABLES AND PARADOXES (1958). Also included are photocopies and mimeograph copies of playscripts based on Kafka's DIARY and METAMORPHOSES and a script by Michael McClure, JOSEPHINE, based on a character of the same name in Kafka's story, THE MOUSE FOLK. There is correspondence with Professor Heinz Pollitzer concerning the promotion of publishing Kafka's writings in the early 1960s. The printed materials are chiefly book reviews of Kafka's publications and some scholarly articles on Kafka.

Correspondence, by-laws, memoranda, contracts, permission forms, reports, bank statements and other legal papers, advertising, and printed materials.

The collection includes seven manuscripts by W. A. Dwiggins as well as correspondence between Dwiggins and Melbert B. Cary, Jr. of The Press of the Woolly Whale, regarding publication of Dwiggins' A TECHNIQUE FOR DEALING WITH ARTISTS. The manuscripts are "Prelude to Eden" (a play), 1939; A TECHNIQUE FOR DEALING WITH ARTISTS, 1941; "Typophiles Salutem Vobis Dico" 1937; Script No. 1, Made to write the score of a marionette ballet by Foster Trainer, ca. 1951?; Script No. 1"Elijah" n.d.; Script No. 2"Shapes of the 1/4 note heads" n.d.; and Script No. 3"A and B" n.d.

Correspondence, manuscripts, memoranda, contracts, and other legal documents, account books, royalty statements and other financial records, photographs, printed materials, and card files of the Watkins Loomis, Inc. literary agency. The papers deal with editorial, financial, and legal aspects of publishing, magazine, theatrical and film rights, and all other personal and professional activities of their American and English clients. Among these clients have been Michael Arlen, Frances Hodgson Burnett, Theodore Dreiser, Ernest Hemingway, Sinclair Lewis, Carson McCullers, Ezra Pound, Ayn Rand, Dorothy Sayers, Gertrude Stein, and Dylan Thomas.

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

Manuscripts, galley proofs, and page proofs of W.H. Auden's COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. There are also galley proofs and page proofs.

Correspondence of Knickerbocker. Correspondents are Kenneth Burke, Oscar Cargill, Irwin Edman, Ben Ray Redman, Austin Warren, Morrie Ryskind, Bonamy Dobrée, Helen Keller, Compton Mackenzie, Merrill Moore, and Allen Tate.

Four letters to Story from Leigh Hunt, and one from Ralph Waldo Emerson; and one letter to Emelyn Story from Margaret Fuller. The Hunt letters are friendly notes touching on a variety of subjects including his health and Mrs. Hunt's, publication of selections of his work, etc. The Emmerson letter, 1851, is in connection with Browning's reminiscences of Margaret Fuller which had been sent to Story. He speaks also of Carlyle and Tennyson. Margaret Fuller's letter to Mrs. Story is a friendly one in which she writes chiefly of her love for Rome and her life there.