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A series of letters from Rotha to his wife, containing personal and professional observations during his early career in England and in New York. Also, one letter from Rotha to Peter Hunt.

Correspondence, manuscripts, documents, and newspapers. These include over four hundred letters to Alexander, as well as miscellaneous letters and telegrams; some of his manuscripts and notes; business records of his law firm; military documents of the western divisions of the Confederate Army; copybooks and letter books; and complete and partial newspapers and clippings from the various Southern newspapers (in particular THE SAVANNAH REPUBLICAN, the DAILY DISPATCH of Richmond, and the ADVERTISER AND REGISTER of Mobile) which carried Alexander's dispatches.

Correspondence, memoranda, notes, lists, manuscripts, photographs, and printed material. The records also include administrative files from Baker's tenure as Dean of the Graduate School of the Journalism, 1961-1970, as well as course materials, and data for journalism conferences.

A small collection of policy manuals and ethical guidelines produced by organizatiuons such as ABS news, CBS news, and The New York Times.

Letters written to MacAlarney from well-known literary figures such as Franklin P. Adams, Irving Bacheller, Henry Arthur Jones, Joseph Hergesheimer, Rose O'Neill, and Gilbert Parker. Many of the letters concern the use of writers' stories or books for motion picture production. Other letters concern publication in the LADIES HOME JOURNAL.

Manuscripts comprising notes, speeches, and articles, covering a wide range of social and political subjects and giving an extensive history of the Communist Party. Many of the manuscripts relate to his work as a theoretical writer for the Communist Party and the DAILY WORKER (New York). Subjects covered include the Garvey movement in 1924 and the League of Struggle for Negro Rights in the early 1930s; the re-orientation of the Communist Party in 1945-1947 with respect to the South and the Negro question generally (Minor became the Party's Southern representative in that period); the Party's general policies in the early 1930s and 1941-1942 when Minor was acting secretary in the absence of Earl Browder, and relating to the Party's policy toward the war following the German attack on the Soviet Union; postwar changes in the Party; the "Agrarian Movement;" and the Communist trials of 1949-1953. The extensive clipping file covers the entire domestic political scene and reflects the whole of Minor's career. These date from 1907 to his death, and contain considerable material on the Russian Revolution and the Spanish Civil War. Also, numerous pamphlets and ephemera relating to the Communist Party.

Professional and personal papers containing correspondence, manuscripts (chiefly typescript versions, many with holograph corrections), documents, photographs, memorabilia, newspapers clippings, printed materials, and some art work. The letters cover his professional, personal and family life. Among the significant correspondents are Orvil E. Dryfoos, James B. Reston and the Sulzberger family. The majority of the papers consist of Alden's manuscripts for his articles and editorials written for the "New York Times." There are some articles that were submitted to various magazines, as well as copy under the pseudonym, Carlton (Tubby) Belmont, written for the Women's news Service. Alden's "Times" writings deal with the New York metropolitan area, the 1963-64 World's Fair, France, Cuba, Southeast Asia, Ships, and the United Nations. In addition there are manuscripts of his stories, novels and poetry. The stories and novels deal with reporters, politics, war and show business. Alden's personal papers and documents relate to his years at City College and in the Army and contain other personal items. Also included is a typescript copy of his autobiography. The newspaper clippings and printed matrerials are mostly of his writings. There are numerous photographs as well as more than one box of memorabilia.

Correspondence files of Roberts Brothers, pertaining to all departments, editorial, production, advertising, and sales. Also, some miscellaneous letters and documents, unrelated to Roberts Brothers, which deal with various legal matters, including those of Frederick D. Ely and of William A. Dunn, from 1838 until 1932, and letters to the Secretary of Harvard University from 1900 to 1907.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Thirteen scrapbooks containing clippings of Simeon Strunsky's column"Topics of the times" which appeared in the NEW YORK TIMES between 1922 and 1948, the year of the writer's death.