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The collection consists of letters, manuscripts, and books of American women authors collected by Bertha Van Riper Overbury, Barnard Class of 1896. It includes correspondence with the dealers she used to collect the material, clippings related to the material, and catalog cards for the letters, manuscripts, and books in the collection.

This collection contains typewritten transcripts of audio recorded interviews of various female workers from World War II and excerpts of two related publications.

This collection documents Sabra Moore's involvement in the Women's Art Movement, Women's Caucus for Art, Women Artists in Revolution, Heresies Collective, and other feminist artist groups based in New York City from the 1970s to the mid-1990s. The collection consists of flyers, publications, artwork, t-shirts, correspondence, photographs, and protest ephemera conceived of, and created by, Moore and her artist colleagues.

This collection consists of 2 VHS recordings and 8 t-shirts from zinester, Sara Jaffe.

The Sharon Irish Women Artists Ephemera collection includes ephemeral materials collected by art historian Sharon Irish from primarily white, U.S.-based women artists in the late 20th and early 21st centuries.

This collection contains materials relating to the women's liberation movement of the late 1960s and into the 1970s.

Sue Larson joined the Philosophy Department at Barnard in 1965, where she taught Philosophy through the 1990s. The collection includes her philosophical writing, course curricula, and material documenting the activities of the Department of Philosophy. Larson's material may be useful to students studying Wittgenstein, animal cognition, music and emotion, 1968 counterculture, feminism, gender in education, theory of knowledge, and anyone researching the case of Linda LeClair.

The Tara Emelye Needham and Sasha Cagen Cupsize Zinester Ephemera Collection includes drafts and copies of various issues of the 1990s riot grrrl zine Cupsize, correspondence with other zinesters, fanmail, zine distros materials, promotional materials, flyers, and zines created by other zinesters. The collection highlights a culture of exchange between zinesters sharing resources as well as each others' zines in the 1990s.

This collection consists of the publication, Why We Strike, which was published by the Barnard Strike Coalition and detailed the events of Barnard's participation in the National Student Strike on May 5th, 1970.