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Center for Book Arts (New York N.Y.) records, 1970-2010

92.5 linear feet
Abstract Or Scope

The archive includes their analog artist files (now these are digital and we are not collecting those), which document the work of most of the important book artists in the United States, their educations and exhibition programs, other publicity materials, their contracts with artists and teachers, and relevant corporate records.

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Columbia University Libraries Binding Department Records, 1899-1972, bulk 1950-1969

2.5 linear feet
Abstract Or Scope
This collection contains the papers of the Columbia University Libraries Binding Department spanning the years 1899-1902 and 1938-1972 [Bulk Dates: 1950-1969].
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Cora Crane papers, 1886-1910

2 linear feet
Abstract Or Scope

Correspondence, documents, and financial records relating almost entirely to the last ten years of Cora Crane's life, dealing largely with the operation of her brothel, The Court, and touching on her last marriage to Hammond P. McNeil and to her work on the invention of a new army canteen. Much of the collection consists of bills, receipts, insurance policies, cancelled checks, and other fairly routine financial papers. Also, a Harold Frederic manuscript and the last known signature of Stephen Crane.

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Curtis Brown Ltd. records, 1914-2018

1745 linear feet
Abstract Or Scope

The files of Curtis Brown, Ltd. literary agency include correspondence with authors, publishers, and other agents and deal with the editing and publishing of trade and textbooks, serial rights, reprints, dramatic rights, translations and foreign rights, promotion and copyright registration. For each author there are contracts, royalty statements, tax statements, and other financial materials. There is also a contract file, including cancellations and related correspondence, from 1914 to 1988. Among the cataloged correspondents are: Louis S. Auchincloss, W.H. Auden, Erle Stanley Gardner, Robert Graves, Ogden Nash, Ayn Rand, and Sloan Wilson.

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Daniel Gregory Mason papers, 1894-1953

35 linear feet
Abstract Or Scope

Manuscript materials which include correspondence, business papers, composition scrapbooks and musical scores; books; clippings; records; and photographs.

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Daniel Talbot Papers, 1923-2010, bulk 1960-2008

495 linear feet
Abstract Or Scope
The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.
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Dawn Powell papers, 1890s-2012, bulk 1890s-1965

40 linear feet
Abstract Or Scope
Dawn Powell (1896-1965) was an American author of novels, plays, and short stories. The collection includes address books, appointment books, books, clippings, correspondence, diaries, ephemera, family materials, manuscripts, notes, notebooks, photographs, programs, research files, reviews, scrapbooks, sketches and drawings.
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Don Congdon records, 1973-2018

59 linear feet
Abstract Or Scope

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

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Edwin H. Armstrong papers, 1886-1982, bulk 1912-1954

295.7 linear feet
Abstract Or Scope

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

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Eleanor M. Tilton papers, 1770-1991

68 linear feet
Abstract Or Scope

This collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.

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