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The collection consists of correspondence, manuscripts, memoirs, notes, lectures, subject files, documents, diplomas and awards, and printed materials. Cataloged correspondents include Dmytro Chyzhevsʹkyĭ and Nikolaĭ Losskiĭ. Most of the correspondence concerns scientific topics and Novikov's publications in emigration. Manuscripts are primarily by Novikov on biological topics. There are also manuscripts by various persons, including Nikolaĭ Losskiĭ and Mikhail Karpovich (1956), and "Dvukhsotletie Moskovskogo Universiteta," edited by Novikov. Memoirs include a manuscript of Novikov's "Ot Moskvy do Nʹi︠u︡ Ĭorka," (published in 1952). Lectures are on biological topics. Subject files deal in part with the celebration in the West of the Bicentennial of Moscow University, Radio Liberty broadcasts and UNRRA University in Munich. Printed materials include copies of publications by Novikov.

Correspondence, manuscripts, documents, oral histories, photographs, audio cassettes, and printed material. Family and personal correspondence; materials related to his secondary, college, and university education; materials related to his tenure at the National Council of the Protestant Church; business correspondence of St. Philip's Episcopal Church and the St. Philip's Community Service Council; bulletins of church services; drafts of sermons and speeches, as well as numerous audio-tapes; manuscripts and publications; correspondence related to the construction and on-going maintenance of several senior-citizen and other community housing; correspondence related to various community redevelopment initives and campaigns for affordable housing; materials related to college courses including oral histories for his Black Family Research project; photographs of St. Philip's Church and of activities of the St. Philip's Community Service Council.

Correspondence, subject files, corporate committee files, corporate reports, yearly appointment calendars, biographical materials, photographs, books from his personal library, memorabilia and works of art. Correspondence includes 3 bound slipcased volumes containing 471 letters, notes and congratulatory telegrams on the occasion of R.D. Lilley being named President of AT&T, April 1, 1972. Correspondents include David Rockefeller and Peter W. Rodino, Jr. Subject files contain Columbia University activities. Manuscript files include his student notebooks from the School of Engineering (1931) and the School of Mines (1934-1935). Corporate committee files include the New Jersey Commission on Civil Disorders, 1967-1968. Memorabilia consists of seven Columbia University related plaques, awards, citations, and varsity letters and fifteen Columbia related commemorative gifts and tokens, as well as thirty-five non-Columbia related diplomas, plaques, awards, citations and certificates and fifty-five non Columbia related trophies, commemorative gifts, and presentation pen & pencil sets. The works of art include two views of the Park Place building "Columbia College New-York" (NEW YORK MIRROR, 1828) and "Columbia College and College Green" (New York, 1830) facsimile reprint of the "Palm tree print"; a print of a drawing of "Columbia University circa 1903" from the Avery Library; two signed prints of Ernest D. Roth "Hamilton Hall" and the "School of Mines"; and a relief print of "John Jay" by Stanley Wyatt.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.