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From the New York Mirror. Includes: Rawdon, Wright & co., engravers. Bowery Theatre, New-York, 1828; Rawdon, Wright & Co., engravers. St. Thomas' Church, Broadway. 1829; W.D. Smith, engraver. View of St. John's Chapel, from the Park. 1829; Fenner & Sears, engravers. Masonic Hall, Broadway, N.Y. London, 1830.

Photographs of buildings and of architectural drawings of buildings, residences, schools, clubs, and other projects (undated and circa 1910s-1920s), designed by Jacobs, many of which are located in New York City.

This collection contains architectural records, photographs, and professional records and related to the architectural practice of Henry A. Minton and John G. Minton. The majority of the projects are for Henry Minton's chapels, parish halls, schools, gymnasiums, auditoriums, rectories, convents, cemeteries and mausoleums for Roman Catholic parishes. Henry Minton also designed numerous branches for the Bank of Italy and a pre-flight school for the United States Navy. The remainder of his designs consisted of hotels, store buildings, and residences. The large majority of these projects were located in the California Bay Area, with a few elsewhere in California, Nevada, and Utah. Most of the drawings are graphite on tracing paper, the remainder are prints of various types. The project files consist mainly of specifications and proposals for Minton's projects, with a very few photographs. A small group of office records and professional papers complements these project records. Lastly, the collection also includes a smaller number of drawings and files for projects designed by Henry's son, John G. Minton, who continued his father's practice and often contributed additions and alterations to his father's earlier work.

This collection includes reprographic architectural presentation and working drawings for six projects for which Polish-American architect Henry G. Proskauer was draftsman, associated architect, or architect. Buildings represented include a student project for a proposed hotel on the Limmat River in Zurich (7 sheets, 1938); the Virgin Isle Hotel in St. Thomas, V.I., in collaboration with Harold Sterner, architect, Joseph Prisant, associate architect, and Jac Lessman, interior designer (19 sheets, 1949); the Hoffman residence in Stamford, Conn., for Hart, Jerman & Associates, architects (5 sheets, 1950); an unidentified radio station for Hart, Jerman & Associates, architects (2 sheets, 1951); the Liberty Life Insurance Home Office building in Greenville, S.C., for Carson & Lundin, architects (12 sheets, 1952-1953); and the Banco Nacional de Fomento/Banco Central de Honduras for Carson & Lundin, architects (5 sheets, undated).

Included are drawings made by Avery while studying under Jules Andre at the Ecole des Beaux-Arts, Paris, and sketchbooks containing sketches made in Paris and on excursions, 1872-1879. Architectural drawings and photographs of architectural drawings for proposed or executed residential and commercial buildings, churches, art galleries, monuments, and other structures, 1880s; competition drawings for public monuments, 1883-1887; experimental studies, 1885, for the pedestal of Frederic-Auguste Bartholdi's Statue of Liberty; and 39 studies and finished drawings, 1888-1890, made for a competition for a memorial for Ulysses S. Grant which he did not win. Also, magazine articles by or about Avery and his work, 1883-1890; obituaries and death announcements, 1890; miscellaneous photographs, certificates, and papers; and invitations, clippings, illustrations, and photographs, circa 1892-1894, relating to the founding of the Avery Architectural Library at Columbia University.

Youngling's drawings of architectural decorations and ornaments for ceilings and walls in largely unidentified buildings, presumably in New York City.

The collection documents four projects: Amsterdam Houses additions (New York, N.Y.) Curries Woods Restoration (Jersey City, N.J.); Washington Street Urban Renewal (New York, N.Y.) and Wyckoff Houses (Brooklyn, N.Y.).