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Three sheets giving two plans and two elevations for a public building (presumably a court house - three of the rooms are designated on the plan as 'clerk''sheriff', and 'surrogate'). There are two facades and it is difficult to tell which is the front and which is the back; one is marked by three segmental arches with a recessed porch behind; the other also has a recessed porch but has a more formal (and more up-to-date) frontispiece in the Greek Revival style, with two pilasters on either side and two square columns in the center, flanking door. Also the roof cornice of this facade has a long low rectangular panel centered over the entryway. These motifs are close to those shown in American builder's pattern books of the 1830s and 40s. The builders' manuals and pattern books of the 19th century were the do-it-yourself manuals of their era, and for builder-architects like Hadden & Gedney, were important resources for construction techniques and design details.

This collection included primarily original and reprographic architectural drawings by Roth, circa 1907-circa 1949, largely of apartment buildings located in Manhattan and designed during the 1920s and 1930s. Represented are the San Remo Towers, The Beresford, The Oliver Cromwell, the Normandy, and numerous other apartment buildings. There are also drawings for several hotel and private residences. A two-volume typescript autobiography is also included.

This collection primarily contains architectural drawings, correspondence, business records, and a small number of photographs related to the projects of Emery Roth & Sons and its subsidiary entities. A large portion of the entities are represented only in the Office Records series and are identified as such. Some projects on which Emery Roth & Sons acted as architect of record are not represented in this collection, most notably the Twin Towers of the World Trade Center.

This collection contains reprographic architectural drawings for the Empire State Building; photographs of the demolition of the original Waldorf-Astoria Hotel, which occupied the Fifth Avenue site; photographs of the Empire State Building under construction, circa 1930-1931 (one photograph shows former governor Alfred E. Smith standing in the building during construction), including 232 photographs by photographer Lewis Hine; photographs showing the building after completion, circa 1931-1956; scrapbooks of clippings of articles about the building, 1930-1957; and illustrations of the Empire State Building, circa 1930s-1960s. These subgroups of materials also have records in CLIO with more detailed descriptions of items; for these records, please search under "Empire State Building" or "Shreve, Lamb & Harmon" or "Hine, Lewis Wickes".

The architectural drawings found at "Natirar" at the time the property was acquired by Somerset County, in 2003, include those relating to the original designs by Guy Lowell and Henry J. Hardenbergh between 1910 and 1912, and those relating to the alterations and renovations made in the late 1940s under the direction of York and Sawyer. The drawings are organized by architect, which, in effect, also organizes the drawings by date ranges. Drawings that bear the names of various subcontractors have been organized by subcontractor but are filed with reference to the relevant principal architect. In addition to the drawings pertaining to "Natirar," the collection includes copies of three drawings by architect William Hanford Beers (1856-1932) of the "Gedney Farm" residence of Howard Willets and Mary Macy Willets at White Plains, New York, which was constructed circa 1898 (see photographs of the Willets residence in the July 1901 issue of The American Architect and Building News). William H. Beers' wife, Alice Macy, was a first cousin once removed to sisters Mary Macy Willets and Kate Macy Ladd.

This collection includes speeches, writings, and articles by and about Klaber; printed papers relating to the Federal Housing Adminsitration and housing design and planning in the United States; and a small group of photographs, drawings, and office records from Klaber's partnership with Ernest A. Grunsfeld, Jr. in Chicago during the 1920s.