Collections : [Rare Book & Manuscript Library]

Rare Book & Manuscript Library

Rare Book & Manuscript Library

6th Floor East Butler Library
535 West 114th Street
New York, NY 10027, USA
rbml@library.columbia.edu
The Rare Book & Manuscript Library is Columbia University’s principal repository for special collections. We collect, preserve, describe, promote, and provide access to the material evidence of diverse individuals and activities in alignment with the University’s research and teaching mission. We build and steward deep collections in select subject areas and connect them to a global audience through reference, teaching, exhibitions, publications, and public programs.

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Start Over You searched for: "Composers" Remove constraint "Composers" Repository Rare Book & Manuscript Library Remove constraint Repository: Rare Book & Manuscript Library Subjects Scores (documents for music) Remove constraint Subjects: Scores (documents for music)

Search Results

Hunt-Berol Sheet Music Collection, 1700s-1900s

244 linear feet
Abstract Or Scope

Printed music from the 18th-20th centuries, primarily 19th century American. Almost half the items are popular editions of European composers' instrumental music. The collection contains a large quantity of patriotic music such as the 1798 "Adams and Liberty" and the first and third editions (both 1798) of "Hail Columbia" and a comprehensive collection of music from the Civil War. There are also early printings of "The Star Spangled Banner," first and later editions of Stephen Foster's music, and a large collection of Benjamin Carr materials. Collection of 16th-20th century rare music books was cataloged individually. Primarily collected by Arthur Billings Hunt, 1890-1971, baritone, musical director and broadcaster. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music.

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Frederick Barry papers, 1910-1943

21 linear feet
Abstract Or Scope

Manuscripts and lectures notes. The lecture notes are filed in 127 volumes arranged by subject. Professor Barry's interest in music is represented by the holograph manuscript of a voluminous musical composition"The Alcayde" composed in the late 1890s.

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H. Lawrence Freeman papers, 1870-1982, 2015, bulk 1890-1954

35 linear feet
Abstract Or Scope
The original scores, clippings, correspondence and ephemera in this collection document the lives and careers of Harry Lawrence, Carlotta, and Valdo Freeman, a family of African-American performing artists involved in opera, theatre, and music in early-twentieth-century New York.
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Columbia University Libraries Music Library Zarzuela Collection, 9999

82 boxes
Abstract Or Scope

The Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers.

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Emily Gresser Papers, 1880s-2004, bulk 1910-1919

4 linear feet
Abstract Or Scope

The archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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