Collections : [Rare Book & Manuscript Library]

Correspondence, manuscripts, photographs, subject files and printed materials. The correspondence includes letters from Michael Florinsky, Mikhail Karpovich, Bernard Pares, Geroid Robinson and George Vernadsky as well as one each from Lidii︠a︡ Lopukhova, Lewis Mumford and George Orwell. There is abundant correspondence relating to the Cunard Whitestar Line, notably from Anthony Cunard. The manuscripts include drafts of several of Fedotoff-White's books as well as copious notes and book reviews. There are subject files relating to his curriculum vitae, financial affairs, and his university studies. Among the printed materials are books (including several of his own), clippings, pamphlets, and brochures.

Papers of Dmitrii Nikolaevich Liubimov, consisting of correspondence, manuscripts, documents, photographs, and printed materials. Correspondents include Vasilii Maklakov and Boris Zaitsev, and there is a document signed by Boris Savinkov. Manuscripts include Liubimov's memoirs of his years in the Ministry of Internal Affairs, "Russkaia smuta nachala deviatisotykh godov (1902-1906)", and others by him on many topics, often based on his personal experiences. Liubimov scrapbooks from the emigration include notes and clippings on various topics. There are materials relating to the activities of his wife, Liudmila Ivanovna, as representative of the Russian Red Cross in Poland in 1919-1922, including correspondence and a photograph album.

There are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.

Correspondence, manuscripts, documents, photographs and printed material of the English poet and critic, Edmund Blunden, documenting his personal and professional activity. Blunden's letters to his second wife, Sylva Norman, and his secretary, Aki Hayashi, are particularly well represented. Also included are many letters addressed to Blunden by eminent literary figures such as John Betjeman, George Orwell, Siegfried Sassoon, Stephen Spender, and Henry Williamson. Other literary correspondents are Adrian Bell, Joyce Cary, Richard Church, C. Day Lewis, Walter de la Mare, Graham Greene, H.D., William Plomer, Kathleen Raine, and Leonard Woolf. A substantial portion of the cataloged correspondence contains drawings, verse fragments and poems by Blunden which have been analyzed. Also present are eleven of Blunden's diaries, 1936-1967, which contain drafts of a number of poems. In addition, the collection contains a small number of autograph manuscripts of Edmund Blunden's literary works.

Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

Correspondence, manuscripts, notecards, tabulation sheets, microfilms, photographs, and photostats. The bulk of the collection is made up of his Columbia University doctoral dissertation, THE OLD STOCK COMPANY SCHOOL OF ACTING; A STUDY OF THE BOSTON MUSEUM, and related research materials. The dissertation, published in 1945, uses the Bostom Museum Stock Company to exemplify the nature of American dramatic arts in the nineteenth century vis-a-vis professional theater organizations and their dual purpose of producing shows and training actors. The research materials appear in a variety of formats: chronological lists on notecards recording the actors that performed in particular plays; tabulation sheets that fulfill many purposes, such as recording each actor's experience, the roles the actors played, and the years that they were active with the company. Photographs include those taken of theater sets, actors in costume, and pictures of the Museum building. Photostats and microfilms are almost entirely reproductions of advertisements and flyers

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round