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Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Letters and manuscripts of English and American authors collected by Gilvarry. Included are a letter from Arnold Bennett, London, 1923, to Miss Renard; a poem "The Sea Bird to the Wave" by Padraic Colum, 1916; an essay of D.H. Lawrence, 1926?; a letter from Ezra Pound, London, ca. 1914, to Seumas O'Sullivan; a letter from George Santayana, Rome, 1927, to E.W. Titus; and a photograph with signature of Herman Melville, New York, 1885.

Manuscripts, typescripts, galley and page proofs and printed versions of several of Bellah's stories and books. Most of the stories, which relate to the American Civil War, were published in the SATURDAY EVENING POST. Several items of related correspondence are included. The titles in the collection are: "First Blood at Harper's Ferry" "How Stonewall Came Back" "The Secret of the Seven Days" "Slaughter at Ball's Bluff" "Stonewall Jackson's Way" "Stuart's Charge at Bull Run" "The Valiant Virginians" and "Why Stonewall Jackson got Licked at Kernstown.".

Correspondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.

Manuscripts by Payne, including plays, poems, journals, essays, account books, correspondence, letter books (to and from) including a large group of letters from Washington Irving. Also, pictorial material, scrapbooks, biographies, portraits, passports, and other documents; and materials on the Cherokee incident, 1835-1838, and Payne's arrest in Georgia. Other material include letters of various members of the Payne family and of related families. Of greatest interest is a group of fine letters and manuscripts of Eloise Richards Payne (1787-1819), a sister of the playwright. These present a sensitive and revealing portrait of the social, cultural, and political life of the time. Among the manuscripts and documents are many items of genealogical interest on the Paine, Shippen, Lynch, Luquer, and Lea families. Two boxes of the papers of Col. Thatcher Taylor Payne Luquer contain correspondence on various aspects of John Howard Payne's career, and on "An Unconscious Autobiography" the letters and diaries of William Osborn Payne (1783-1804), a brother of the playwright, edited by Col. Luquer.

A collection of letters to and from John Treat Irving Jr. While there are 63 letters from Irving, the majority of the correspondence is that of his father and mother, John Treat Irving, Sr. and Abby Furman Irving, other members of the Irving family, and friends. There are no letters of Washington Irving in the collection, though there are many interesting reference to him. There are nineteen letters to John Treat Irving from his uncle, the writer Peter Irving (1771-1838), dated 1835-1837. The collection also contains 51 pages of extracts from letters dating from the period of his European travels of 1836-1837. Included are two notebooks. The earlier of the two, dating from 1828 when John Irving was a senior at Columbia College, records class notes, problems, and exercises. The second contains poems, sketches, and essays, most of which are dated 1831-1833, the period preceding his travels to the West and the writing of INDIAN SKETCHES.

Correspondence, manuscripts, drawings, documents, photographs, clippings, and other printed materials. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the cataloged correspondence are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St. Vincent Millay, and Lincoln Steffens. There is the manuscript of his book NEVER CALL RETREAT.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Correspondence, manuscripts, and printed materials of Judith Johnson Sherwin.