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This collection primarily contains materials related to Percy and Harold Uris and their real estate businesses. Correspondence, financial records, and estate papers document the professional and personal lives of the brothers and their wives. The bulk of the business records are from their properties at 380 Madison Avenue and 300 Park Avenue. There is limited information about the other Uris properties and Uris Building Corporation. Finally, the collection contains records from the Uris Brothers Foundation, Inc about the family's philanthropic endeavors.

This collection contains materials related to a full range of Blake's personal, professional, and academic lives. The bulk of the collection dates from the 1980s through the early 2000s. His professional and faculty papers document many of his interests, and primarily include published and unpublished lectures and articles. Although Blake delivered his lectures at various architectural schools in the United States and abroad, the specific locations of the lectures are not usually recorded on the documents. In addition, many articles he wrote for publication appear as annotated typescripts. There are also significant papers related to publication of his memoir No Place Like Utopia (Knopf, 1993), including correspondence and some production records. Throughout the professional and faculty papers are also found a large number of reference files relating to modern architecture, art, design, urbanism, technology, and current events, compiled over many decades. The collection also contains correspondence with personal friends, clients, and professional and academic colleagues. There is an especially significant amount of correspondence and clippings related to Patwant Singh, a Sikh writer, commentator, journalist, editor, and publisher, with whom Blake was a close friend. There are also many materials including correspondence, typescripts, and book production records related to Philip Johnson and Paul Rudolph, with whom Blake was also close. Architectural project records include original and reprographic drawings and photographs for 40 residential and institutional designs, located primarily in New York City and the surrounding region. Of particular note are drawings and papers related to Blake's important Pin Wheel House (1954) in Water Mill, New York. In addition, there are drawings related to the American National Exhibition in Moscow (1959). Finally, there is a significant number of drawings, photographs, and correspondence related to the Benjamin Gerson Residence (1999-2003) in Johnsonburg, New Jersey, one of Blake's last architectural projects.

Broken into two series, Stencils and Drawings and Collected Material, this collection includes a variety of visual material and a small amount of written work including meeting minutes of the Brotherhood of Painters and Decorators of America and two educational booklets. The stencils in this collection were organized by the creation of "Stencil Sets." In the process of creating a stenciled surface, Grierson would first draw a design drawing. From this drawing the stencil was cut. An intricate and polychrome composition would require a layering technique that demanded the stencil to be broken up into individual components. Thus, to properly execute a single design drawing, upwards of five stencils might be required. When possible the design drawings were matched with their stencils to create a complete set. Individual stencils without design drawings were grouped thematically.

This collection contains approximately 5100 drawings, including preliminary design drawings and unbuilt studies, presentation drawings, and working drawings, for more than 100 individual projects designed by Philip Johnson, some in collaboration with John Burgee. Locations include the United States, Canada, France, Germany, Israel, and Venezuela. Major commissions included in this collection are the Glass House in New Canaan, CT; the New York State Pavilion for the 1964 World's Fair, Queens, NY; the New York State Theater at Lincoln Center, NYC; Asia House, NYC; the H.L. Moses Building at Montefiore Hospital, Bronx, NY; the master plan for Welfare Island, NYC; the Munson-Williams Proctor Institute, Utica, NY; the Amon Carter Museum, Fort Worth, TX; and buildings for Sarah Lawrence College, Seton Hill College, the University of St. Thomas, and Yale University. Also of note in this collection are many presentation renderings by Helmut Jacoby and other architectural renderers. A subset of this collection includes drawings created for the 1996 monograph on Philip Johnson by Peter Blake.

The Philip Lacy Collection of European Study Prints contains 2,362 images of historic monuments and architectural and decorative details in Italy and France. These types of study prints were commonly collected by art historians and architects traveling in Europe.

Also, a variety of professional and personal miscellany, such as correspondence, clippings, pamphlets, flyers, postcards, invitations, menus, receipts, a diploma, caricatures of colleagues, and Sawyer's monocle

The collection includes Drix Duryea and Mattie E. Hewitt photographs of the Kathrin Samstag Hochschild and Walter Hochschild residence designed by Pleasance Pennington (architect) on the 16-18th floors of Emory Roth's 1200 Fifth Avenue apartment building. Built by Joseph Ravitch (developer), the triplex penthouse included a particularly notable outdoor playhouse/gazebo and dance floor.

Three maps (brownline prints with colored pencil) denoting proposed improvements at various sites in the Philippines. A map of the City of Baguio in the Province of Benguit features a preliminary plan for a proposed town site, dated October 1905. The plan for proposed improvements in Manila is dated May 1905 with revisions in June 1905. The plan for a proposed sea boulevard in Manila Bay is dated May 1905. All three plans are inscribed: "This plan accompanies report to Hon. William H. Taft, Secretary of War."