Search

The collection consists of the directors' records of the Casa Italiana and later the Italian Academy for Advanced Studies in America. It includes administrative files, correspondence, event files, press clippings, conference and awards materials, and a selection of campus architectural drawings and studies.

This collection contains about seventy broadsides regarding communal and governmental regulations imposed in various Jewish communities throughout Italy from the 17th through the 19th centuries. Cities mentioned include Florence, Venice, Ferrara, Padua, Ancona, and others. Topics addressed are synagogue behavior, market regulations, municipal workers such as firefighters, and more. Among the publishers are the Stamperia camerale, Ferrara; Francesco Suzzi, Ferrara; Lodovico, and Frencesco Nobili, Ferrara; Sebastiano Nistri, Pisa and Typis Mainardi, Ancona.

Correspondence, research notes, articles, clippings, photostats, and photographs. These files concern his interest in Pierre Bayle, Antoine Arlier, and the Renaissance in Provence, as well as the Romanic Review, philology, French, Spanish, and celtic studies. Among the correspondents are: Philippe Berthelot, Nicholas Murray Butler, F.R. Coudert, John H. Finley, the Prince de Ligne, Curtis Hidden Page, William B. Parsons, and Aime ́Puech.

This group of thirteen letters, one document, one signed card, fourteen portraits, and one portrait medal relates to six distinguished Italian patriots who were prominent in the unification of Italy in the 19th century. The collection includes one letter and one portrait of Count Camillo Benso Cavour (1810-1861); three letters and three portraits of Domenico Cirillo (1739-1799); two letters and two portraits of Giuseppe Garibaldi (1807-1882); one letter and one portrait of Giuseppe Guisti (1809-1850); six letters, one signed card, and six portraits of Giuseppe Mazzini (1805-1872); and one document, one portrait, and one portrait medal of Victor Emmanuel II of Italy (1820-1878). The letters are in many cases accompanied by transcriptions and translations as they are chiefly in Italian. The portraits are engravings and photographs.