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Art History, 1937-1999

0.4 Linear Feet
Abstract Or Scope
This collection consists of materials from the Barnard College Art History Department.
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David Rosand papers, 1950s-2010s

23.59 Linear Feet
Abstract Or Scope

Materials include: Expertises (correspondence, images, fading fax paper regarding artwork consultations); Course Materials; Writings (reviews, articles, manuscripts, art catalog text, drafts of manuscripts, published and non-published materials, speeches and lectures); Correspondence; Notebooks; Columbia Files (any materials and documents regarding his involvement with the department, art humanities or University at large); Research Files (materials he used as he wrote his manuscripts); Muraro (any documents concerning this center in Venice, since he was so instrumental in getting the bequest for CU); Save Venice (and documents concerning his involvement with this organization); Subject Files (evidence of his interests in the art history field.); Awards and Honors (any certificates or honors you would want to include, including diplomas); Photographs (of people or events, not artwork)

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Program in the Arts, 1970-1989

8.33 Linear Feet
Abstract Or Scope
This collection consists of materials that document the history of the Program in the Arts (1970-1989) at Barnard College.
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Robert Branner papers, 1936-1973, bulk 1955-1973

5.5 linear feet
Abstract Or Scope
Robert Branner, professor of Art History at Columbia University, was a scholar of French Gothic architecture, sculpture and illuminated manuscripts. Branner's papers include material related to the art history courses he taught, and to the scholarly research he conducted regarding 13th and 14th century illuminated manuscripts.
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Wallach Art Gallery Records, 1985-2017

17.25 linear feet
Abstract Or Scope
This collection consists of exhibition files, general operations files and exhibition catalogs generated by the Wallach Art Gallery staff between 1985 and 2017.
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Circle of Dorothy Draper Collection, 1910s-1960s

32 drawings
Abstract Or Scope

The collection is made up of 32 drawings in pencil, pastel, ink, and/or gouache on paper, vellum, or board. Included are designs for light fixtures, chairs, tables, mirrors, sofas in styles ranging from Baroque revival, Greek revival, Chinese Chippendale revival, and Regency revival.

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Otto W. Fuhrmann papers, 1930-1961

7 boxes
Abstract Or Scope

The collection consists of the manauscripts of Fuhrmann's articles, notes, and related items on the history of printing and graphic arts. A great many of Fuhrmann's articles were about Johann Gutenberg. There is also correspondence, primarily with people well known in the printing trade.

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Howard Stoner Course Materials Collection, 1994-2017

1.96 linear feet
Abstract Or Scope
The Howard Stoner Course Materials collection contains syllabi, hand-outs, and other teaching materials collected by Howard Stoner, a New York City-based advertising executive who audited over 70 courses at Columbia and Barnard between 1994 and 2017.
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Vladimir Veidle Papers, 1920-1979

26 linear feet
Abstract Or Scope
Correspondence, manuscripts, notes, documents, photographs, subject files, art reproductions, and printed materials of Vladimir Veidle (also known as Vladimir Vasilʹevich Weidlé, 1895-1979), Russian critic of art and literature, writer and scholar.
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W. J. Strachan letters, 1954-1992

0.5 linear feet
Abstract Or Scope

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.

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