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Architectural drawings and specifications for Codman's projects, circa 1890s-1930s, including the Martha Codman house in Washington, D.C.; alterations for Edith Wharton and her husband at their three residences, the Mount in Lenox, Mass., Land's End in Newport, R.I., and their Park Avenue home in New York City; work for the Thayer family of Boston, Mass., specifically Nathaniel Thayer's three homes in Boston, Lancaster, Mass., and Newport, R.I. ("Edgemere"), Bernard Thayer's Beacon Hill houyse in Boston, and Eugene Van Rensselaer Thayer's two houses in Boston and Lancaster, Mass.; the Lucy Dahlgren house in New York City; the Archer M. Huntington house on Fifth Avenue in New York City; interior design for John D. Rockefeller in his house "Kykuit" at Pocantico Hills, N.Y.; interior design work for the Vanderbilt family including Cornelius Vanderbilt's "Breakers" at Newport, R.I. and Frederick William Vanderbilt's mansion in Hyde Park, N.Y. and his house on Fifth Avenue in New York City; Oliver Ames' mansion at Pride's Crossing, Beverly, Mass., and his house in Boston; and interior decoration and alterations for Codman's own homes in Newport, R.I. and Roslyn, N.Y. and his villa in France, "La Leopolda", at Villefranche-sur-Mer. Also, lists, descriptions, and postcards of French chateaux, with related correspondence, circa 1900s-1930s, relating to Codman's bibliography on the chateaux of France; and miscellaneous lists of houses in England and France, correspondence, and printed material.

Architectural drawings and photographs of architectural drawings with some related correspondence of residential and public buildings, churches, libraries, theaters, monuments, and bridges including: the Henry Hudson Bridge, Triborough Bridge, and the Manhattan Bridge in New York; Edward Henry Harriman's Arden House in Harriman, N.Y.; the Alfred I. Dupont mansion in Roslyn, N.Y.; the David A. Reed house in Washington, D.C.; the reconstruction of the Grand Army Plaza in New York City; the Memorial Amphitheater for Arlington National Cemetery; and various bicentennial buildings for Yale University. Of note are drawings of the grounds, details of buildings, and furniture for the New York Public Library, 1908-1909.

This collection contains architectural photographs, drawings and records related to the architectural projects and designs of Warren and Wetmore, principally in the United States, but also representing commissions in Canada, Cuba, and Puerto Rico. Unfortunately, the bulk of architectural drawings produced by the firm are no longer extant. Additionally, it holds a variety of photographs and other records used as reference materials in the course of Warren and Wetmore's professional work. Lastly, a small group of student and personal papers and photographs from Whitney Warren completes the collection.

The collection consiste of correspondence, memoranda, reports, bulletins, clippings, photographs, awards, and printed material. The files, arranged by genre and topic and reflect her philanthropic and legislative work in the areas of health, specifically cancer, heart disease, and mental health. Her civic and legislative work is covered in detail, as well as her private interests and activities.

Correspondence, manuscripts, drafts, notes, documents, drawings, photographs, audio tapes, clippings, and other printed materials covering every aspect of Helen Worden Erskine Cranmer's life and career. There are extensive biographical files on: Jenny S. Bradley, Prince Charles of England, Joseph Dixon, Dwight and Mamie Doud Eisenhower, Rosina Lhévinne, Paul Niehans, the Morgan twins (Gloria Morgan Vanderbilt and Thelma Morgan Converse Furness), Jovanka Tito, Harry and Bess Truman, the Duke and Duchess of Windsor; and large files on crime, recluses, New York City history, and travel. There are extensive drafts and source materials for her unpublished autobiography. There are pencil sketches, pen-and-ink drawings, watercolors, charcoal sketches, photographs, and printed copies by Helen Worden Erskine Cranmer and by others.

This collection contains materials related to Chermayeff's personal, professional, and academic lives, the bulk originating during his residency in the United States, beginning in the late 1930s. Project records document the full range of his work, including many records from his British period. The collection also contains extensive correspondence with personal friends, clients, and professional and academic colleagues.

The collection includes correspondence, manuscripts, documents, photographs, and printed materials. Most of the correspondence dates from the 1950s and early 1960s, when Boi︠a︡rint︠s︡ev was head of the Ob'edinenie chinov Kornilovskago udarnago polka, an emigre veterans' organization, and relates to the affairs of this and similar groups. The manuscripts include campaign memoirs and a memoir called, "Epokha 1937-1965 gg." dealingwith events in the world of the White veteran's groups written by Boi︠a︡rint︠s︡ev; and a memoir of the First World War by a Captain I︠A︡. G. Shinin. Official documents relating to the military service of both Boi︠a︡rint︠s︡ev and Shinin are found in the collection, as well as some regimental and army orders of the Revolution-Civil War period. There is a photograph of Genral L.G. Kornilov; a large number of photographs of the White Army encampment at Gallipoli, of the Imperial family, White officers' reunions, funerals, dedication ceremonies etc. Printed materials include: a folder of printed engravings of varied content (portraits of the Imperial family, White officers, members of the White Russian community in Shanghai; and illustrations of various incidents in the Civil War; a complete set through 1965 of the emigre newsletter "Kornilovt︠s︡y" (Nos. 1-6; 1952_65); 7 issues of the "Vestnik pervopokhodnika" (Nos. 82-91; Aug. '68-May '70); and books, pamphlets, and jubilee volumes concerning Tsar Nicholas II, the White movement, General Kornilov, and the Mladorossy.

Correspondence, reports, memoranda, case records, photographs and printed material. The archive include central and district administrative records; cammittee correspondence and minutes; and files on the various programs--such as sheltered workshops, tuberculosis sanitariums and health centers, public baths and employment bureaus--run by the two organizations. The archive also contains hundreds of photographs, including works by Lewis Hine and Jessie Tarbox Beals; extensive casework files from the beginning of social work (originally referred to as "friendly visiting among the poor"); and copies of masters and doctoral theses from the New York School of Sociel Work and other schools. Much of the research for these theses was based on the CSS files