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The collection documents the life and activities of architect Arthur T. Sutcliffe. The collection is made up of four series: Personal Papers, Project Records, George L. Sutcliffe Papers, and Family Papers.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

The collection consists of papers related to the personal and professional life of American architect Ely Jacques Kahn. A small amount of personal papers was transferred from the Arendts Library at Syracuse University in 1992. Additional personal papers, including two large scrapbooks, were donated by Liselotte Kahn, wife of Ely Jacques Kahn, in 1992 and 1993. Also found in this collection are student drawings and an incomplete autobiographical essay, donated to Avery Library by Kahn himself in 1963. Completing the Kahn holdings are personal materials from Ely Jacques Kahn, including drawings done while Kahn was a student at the Ecole de Beaux-Arts in Paris (1907-1908), sketchbooks, diplomas, autographs from fellow students, a typescript of Kahn's autobiography, and scrapbooks containing clippings, photographs, telegrams and other ephemera. Additionally, there is a small holding for Liselotte Kahn within the collection, including her unpublished memoirs, some correspondence, and a watercolor painting. Liselotte Kahn's memoirs describe her childhood in Germany; her marriage to Dr. Ernst Müller and the birth of their sons; Nazi anti-Semitism; their emigration to Greece; her husband's medical practice in Athens; the Italian and German invasion of Greece; their escape to Palestine; and their emigration to and experiences in the United States.

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

Collection is made up of a scrapbook containing 2 pencil on trace sketches, newspaper clippings, and clippings from House and Gardens Magazine (ca 1922) relating to various residences not associated with the architect; 2 diplomas, one from the State Board of Examiners of Architects, Cook County, Chicago (1897) and the other from University of the State of New York State Board for the Registration of Architects (1916); 28 watercolor paintings (ca. 1907) depicting various locations in Europe, including Paris, Florence, Vevay, Versailles, and Venice; 34 pencil drawings of Beaux Art buildings, including residences designed by the architect and illustrations for Good Housekeeping Magazine; and photographs of Salisbury and Winchester Cathedrals, which do not appear to have been taken by the architect.

This collection includes records from the Chinese Industrial Cooperatives (CIC, 工業合作社/工业合作社), China Aid Council (CAC, 美國援華會/美国援华会), and United Service to China (USC, formerly United Relief to China/URC, 美國援華聯合會/美国援华联合会/美國援華救濟聯合會/美国援华救济联合会). The records contain correspondence of individuals who participated in the cooperative and those associated with it; typewritten reports of sub-units to the parent organization; periodicals and other publications issued in Chinese by the three regional headquarters (the early ones are probably quite rare); publications in English by these headquarters and by American committees formed to aid in the movement; mounted photographs showing the work of the cooperatives and their leaders; albums of newspaper clippings on the movement, emanating from the U.S. and abroad; maps showing locations of cooperatives; pencil sketches and watercolors of cooperatives at work; and other material concerning this important organization which was largely responsible for China's ability to feed and clothe, and care for the people during the war.

A collection of letters, manuscripts, proofs, and drawings of English and American authors, including 33 letters from Alan Gabriel Barnsley (Gabriel Fielding) to Derek Stanford; a letter from James Boswell to George Colman the younger; a letter from Wilkie Collins; a letter from James Fenimore Cooper to William Buell Sprague; a letter from Dinah Maria Mulock Craik; letters from E.M. Forster; letters from Sarah Grand to James B. Pond; letters from T.B. Macauley; a letter from Hester Lynch Piozzi to James Robson; letters and cards from G.B. Shaw; letters from R.B. Sheridan to Thomas Grenville and to C. Ward, and a letter from Elizabeth Ann Linley Sheridan to R.B. Sheridan; a letter from William Wordsworth to F.W. Faber; a letter to Alfred, Lord Tennyson to Benjamin Disraeli; letters from Anthony Trollope written to Frederic Chapman, Mary Christie, J.T. Fields, Frederic Harrison, and others; letters from Ellen Terry and Rhoda Broughton, and postcards from Evelyn Waugh to Graham Ackroyd. The manuscripts include examples by Max Beerbohm, Arnold Bennett, Elizabeth Bowen, John Burroughs, Ivy Compton-Burnett, A.E. Coppard, Baron Corvo, Cecil Day Lewis, Ronald Firbank, E.M. Forster, George Gissing, Sarah Grand, A.P. Herbert, Rudyard Kipling, Edward Lear, Henry W. Longfellow, Amy Lowell, John Wilmot 2nd Earl of Rochester, G.B. Shaw, Edith Sitwell, and Logan Pearsall Smith.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.