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Anton Seidl collection of musical papers, 1870-1943
30 Linear FeetPapers, letters, memoranda, memorabilia, and manuscript music scores assembled by and related to the life and musical activities of Anton Seidl. The collection includes many letters from Cosima Wagner and her children addressed to Anton Seidl and his wife, the opera singer Auguste Kraus Seidl. There are also letters from Lilli Lehman, Edvard Grieg, Antonin Dvorak, Bronislaw Hubermann, Carl Goldmark, Maud Powell, Marianne Brandt, Felix Weingartner, Lyman Abbott, and many others. The letters are chiefly concerned with musical performances, composition, and related affairs. There are journals, diaries, and memoranda in Seidl's hand, as well as photographs and clippings relating to his conducting career. Also, twenty-seven manuscript scores of Seidl's orchestrations of various works.
Hector Berlioz papers, 1825-1994
27 linear feetCorrespondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.
Jacques Barzun papers, 1900-1999
225 linear feetJerome Moross papers, 1924-2018
70.25 linear feetCorrespondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.
John Erskine papers, 1890-1951
40 linear feetCorrespondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.
John Latouche papers, 1930-1960
2.5 linear feetCorrespondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.
Joseph Urban papers, 1893-1998
135 linear feetCollection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.
Koziul'kin and Butskovskii Family Papers, 1844-1920
125 itemsCorrespondence, manuscripts, documents and printed materials chiefly concerning members of the Koziul'kin and Butskovskii families, specifically Nadezhda Aleksandrovna Koziul'kina, nʹee Butskovskaia, her husband, Ippolit Arkad'evich Koziul'kin and her grandfather, Mikhail Andreevich Butskovskii, the governor of Lublin province 1860-1880. The cataloged materials, in an album, include notes, autographs and music manuscripts of such individuals as Mattia Battistini, Aleksandr Glazunov, Jules Massenet, Anna Pavlova and Edouard do Reszke. The correspondence consists of personal letters to members of the Koziul'kin and Chivilev families as well as business correspondence from the 1860-1881 period concerning M. A. Butskovskii's real estate affairs. The documents include a variety of official birth, death, marriage and graduation announcements; awards given to I. A. Koziul'kin in both St. Petersburg and at the Russian Embassy in Teheran; contracts; insurance forms; military orders (1884) and reports (1878); real estate documents and I. A. Koziul'kin's service records. The printed materials deal primarily with financial affairs (such as accounts from the Governor General of Warsaw, 1898-1901) and real estate matters associated with M. A. Butskovskii's entailed estate, "Raets," in Radom province, including "Maioraty v tsarstve pol'skom" (1911).
Leonard Altman papers, 1930-1995
1 linear feetCorrespondence, manuscripts, documents, notes, printed material, and photographs of Leonard Altman concerning his work as editor of LISTEN and board member of Carnegie Hall as well as his other professional and personal interests.
Manuel Komroff papers, 1897-1979
23 linear feetCorrespondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.