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The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

Correspondence, manuscripts, documents, photographs, artwork, objects, and printed material. Included among the list of 37 cataloged correspondents are: Vera Brittain, Edward Gordon Craig, Clarence Darrow, Havelock Ellis, Augustus John, Emmeline Pankhurst, Edward Steichen, Gertrude Stein, Algernon Charles Swinburne, Sybil Thorndike, Alec Waugh, and H. G. Wells. The cataloged manuscripts include a poem by Witter Bynner entitled "Hay Wagon." There is a large selection of Stephen's writings (poetry, novels, plays, articles, biographies, memoirs) including drafts of a proposed biography of his father, a bound volume of his own memoirs, numerous notebooks, and "Mount Joy," a description of life on Dominica. His photographs and paintings are well represented, with 6 albums of photographs and 2 boxes & 1 folder of approximately 200 paintings and sketches. The printed material includes works by Stephen, his father and his mother.

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.