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Brander Matthews Dramatic Museum collection of documents relating to actors and theatrical managers, 1732-1995

18 linear feet
Abstract Or Scope

A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

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Desmond Heeley papers, 1884-2018, bulk 1946-2016

32 Linear Feet
Abstract Or Scope
Two-time Tony-award winner Desmond Heeley (1931-2016) was a British-American costume and set designer who worked primarily in theater, ballet, and opera. His productions have graced the stages of major theaters in the United Kingdom, Canada, the United States, Australia, and Europe, including the Royal Opera House, the Metropolitan Opera, Houston Ballet, the National Ballet of Canada, Australian Ballet, and the Stratford Festival in Ontario. This collection contains Heeley's sketches and designs, along with production documents, photographs, correspondence, audio recordings, and other memorabilia relating to his life and work.
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Joseph Urban papers, 1893-1998

135 linear feet
Abstract Or Scope

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

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