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A large collection of original comic and illustration art; a considerable number of articles of clothing; tapes and CDs; documents; photographs; ephemera.

A collection consisting of rock posters, primarily from the Fillmore and Matrix auditoriums in San Francisco, representing works by artists including Victor Moscoso, Wes Wilson, and David Singer.

Correspondence received by Schiller, including many letters from Fred Meyer, officer of the club, Dick Martin, an Oz illustrator, Ruth Plumly Thompson, author of many later Oz stories, and several members of the Baum family.

This collection includes drawings and personal letters from authors and illustrators of children's books, correspondence about her career and promotions, and letters of condolence at the time of her death.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

A collection consisting primarily of World War II posters issued in the United States, Great Britain, Russia and in Germany during the Allied occupation. In addition, there are United Nations posters and a few issued in Canada, France, Holland and Poland

A series of numbered Russian war posters issued by the Soviet news service, TASS. An English translation of the poster's titles, texts, authors, and artists are listed by the Tass number in a separate loose leaf binder

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.