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Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

The collection consists of three manuscripts by Bela Bartok, 1940-1943. These manuscripts totalling approximately 2,170 pages are as follows: 1) Romanian Folk Music - Vol. 1 Instrumental Melodies, Vol. 2 Vocal Melodies, Vol. 3 Texts; 2) Turkish Folk Music; and 3) Serbo-Croatian Table of Materials. Also, a small group of letters by Bartók and other concerning his association with Columbia University.

Letters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.

Correspondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

Letters to Herbert Machiz (1923-1976), a prominent theatrical director in New York. The correspondence includes items from well-known actors and authors, such as Truman Capote, Tennessee Williams, Yukio Mishima, Julie Harris, Paul Bowles, and Gian Carlo Menotti. The collection also includes newspaper articles on Mishima collected by Machiz, and an obituary of Machiz.

The collection documents the career and personal life of Turkish-American electronic music composer, record producer, journalist and cultural critic, photographer, and filmmaker İlhan Mimaroğlu (1926-2012). It includes materials from each of Mimaroğlu's professional interests and activities, the bulk of which date from the early 1950s until his death in 2012.

Forty-three letters to Witmark which were taken out of autographed books given to the University by Mr. Witmark. The letters are from leading authors and artists of the world, chief among them John Kendrick Bangs, Harry B. Smith, and Frederick Kummer. They are mostly friendly notes, some of them in connection with Witmark's requests that authors autograph books for his library. Also, eight manuscript music scores written by various composers including Victor Herbert for the wedding of Witmark and Viola Cahn; and printed matter including programs, clippings, and prospectuses, two autographed photographs, and a typescript catalog of the "Autograph Library of Isidore Witmark, Esq.".

Jazz pianist Marilyn Crispell's career is documented in this collection by programs, reviews, scrapbooks, books, sounds recordings, art, and posters.

A collection of seventy nine scores.

Letters of musical composers and performers such as George Gershwin, Douglas Moore, Arnold Schönberg, Arturo Toscanini, Maria Cherubini, Jacques Halévy (F. Halévy), and Gaspare Spontini.

Letters to Lang from Zoltan Kodaly, Thomas Mann, Ralph Vaughan Williams, and Bruno Walter.

Correspondence, memoranda, photographs, manuscripts, lists, legal and financial documents, and printed materials of Simon. The personal and business papers include correspondence with authors, inscribed photographs of authors, editorial files, files for his special art, photography, and music projects, correspondence files relating to Simon and Schuster, Inc., personal and family correspondence, documents, and photographs. Correspondents include Irving Berlin, Margaret Bourke-White, Henri Cartier-Bresson, Joseph E. Davies, Dwight D. Eisenhower, Philippe Halsman, Jerome Kern, Cole Porter, Kenneth Roberts, Arthur Schnitzler, Jerome Weidman, and Sloan Wilson.

The original compositions of Solomon Pimsleur, consisting of over 100 sonatas, suites, etudes, and songs for piano, orchestra and voice. Also included are Pimsleur's arrangements of various musical works, and photodisks and tapes of Pimsleur performing his own works; there are also a few periodical and monograph publications which the composer used as bases for some of his work

The collection includes typescript libretti of Obkircher's operas and plays including KURT UND MARIANNE; OPFER; UNSCHULDIG; WAHL; and WILHELM KÜHNER, and of his collected poems. These are bound in eight volumes and are all in German. Most of these are signed by Obkircher. There are also two letters from Obkircher.

This collection of autographed inscriptions and letters from noted 19th century musicians was assembled by Mason. The material includes the signatures of 85 composer, performers, and other musical people, most of whom were Dr. Mason's contemporaries and personal friends. There are 103 items the majority of which are bits of music in script with signatures, and a few autograph letters to Mason. Among those represented are Berlioz, Jenny Lind, Franz Liszt, MacDowell, Paderewski, Rubinstein, Saint-Saens, Samaroff, and the Schumanns.