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Otto Rank papers, 1903-1988, bulk 1903-1940
21 linear feetThe collection consists of (1) A group of early materials written between 1903-1905, before Rank met Freud. This includes 4 daybooks, a notebook of dreams, a notebook of poems, the manuscripts of "Der Kunstler;" (2) Correspondence between Freud and Rank between 1906-1924, including the controversy over THE TRAUMA OF BIRTH. 40 a.l.s. from Freud and typed copies from Rank, with a few letters to and from Ferenczi (3) Copies and some originals of the circular letters by members of the inner circle, Ernest Jones, Abraham, Eitingon, Ferenczi, Rank and Freud, 1920-1924 (4) Original handwritten manuscripts, typed copies, notes and corrections of Rank's major works (5) Rank's own listing and comments on his writings and publications (to 1930) (6) Rank's published works--20 titles.
Rossiiskaia Laun-Tennisnaia Federatsiia Records, 1931-1939
700 itemsThe correspondence is primarily with member clubs throughout Europe, and the manuscripts are chiefly minutes of federation and club meetings. Also included in the collection are several photographs, some financial records, a file on the women's team, clippings, programs and four issues of the federation's illustrated year-book.
Samson Raphaelson papers, 1916-1982
19.5 linear feetCorrespondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.
Susan Orlean Papers, 1930s-2015, 2019
30.75 linear feetSylvia Ardyn Boone Papers, 1925-2011, bulk 1961-1993
40 linear feetThe Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s
370.11 linear feetUlysses Kay papers, 1894-2017, bulk 1938-1995
55.25 linear feetV. K. Wellington Koo papers, 1906-1992, bulk 1931-1966
120.5 Linear FeetWeldon Kees papers, 1941-1986
0.5 linear feetCorrespondence, manuscript, and printed materials of Kees. There are fourteen letters from Kees to Herbert Cahoon, twelve letters from James T. Farrell to Kees, the manuscript of Kees' THE LAST MAN, and announcements and clippings by and about Kees.
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