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Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Writers represented in the correspondence files are Margaret Anderson, Sherwood Anderson, George Antheil, Djuna Barnes, Clive Bell, Malcolm Cowley, E.E. Cummings, John Dos Passos, Ford Madox Ford, Ernest Hemingway, Richard Hughes, Eugene Jolas, Archibald MacLeish, H.L. Mencken, Henry Miller, Adrienne Monnier, Man Ray, Elmer Rice, Jules Romains, Gertrude Stein, John Steinbeck, Allen Tate, Carl Van Vechten, Robert Penn Warren, and Edmund Wilson. Galantiere's best known work as a translator was that of the writings of Antoine de Saint-Exupéry, and the collection contains in addition to correspondence, twelve manuscripts, all bearing the author's and the translator's corrections. He also wrote extensively on economic subjects and current history, and these files and manuscripts are present in the collection. Galantiere wrote plays in his own name and adapted Jean Anouilh's ANTIGONE for Katharine Cornell in 1946, and there are materials relating to these works.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.