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Flat Files Collection, 1754-2017

60.16 linear feet
Abstract Or Scope

This artificial collection consists of oversized posters, maps, newspapers, drawings, floor plans and architectural plans related to Columbia events, people and locations. The collection has been organized by subject matter.

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F. W. (Frederick Wilcox) Dupee papers, 1778-2003, bulk 1933-1979

9.43 linear feet
Abstract Or Scope
Personal and professional papers of the notable literary critic. The collection includes correspondence, manuscripts, notes, journals, photographs, drawings and films, and a collection of signed and annotated books and magazines from Dupee's library.
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Ralph S. Halford papers, 1936-1975 [bulk dates: 1940-1959]

0.83 linear feet
Abstract Or Scope

Correspondence, manuscripts, typescripts, conference papers, scientific drawings, photographs, and printed material. This collection consists chiefly of Halford's manuscripts and typescripts of his writings for scientific journals and papers presented at various conferences and symposiums with related correspondence of colleagues. Also included are files on the teaching of chemistry with reference to practices at Columbia, photographs of his spectrometers, a copy of his patent for Recording Spectrometers, and a file relating to his participation in a 1959 panel discussion on the future of education sponsored by the Barnard College and Columbia Alumni Clubs of Chicago. The printed material includes reprints and accompanying bibliography of Halford's writings. Also, a photograph taken by Jack Aeby at the test site of the atomic bomb, Alamogordo, N.M., 16 July 1945 has been added to the collection.

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Rudolf and Margot Wittkower papers, 1916-1995

19.5 linear feet
Abstract Or Scope

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

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